REVIEW: Uncut Gems [2019]

“Black Jew power” Writers/directors Benny and Josh Safdie‘s debut feature bowed at Cannes in 2009 to spark a rather prolific career spanning shorts, music videos, documentaries, and critically acclaimed independents featuring an increasingly more familiar stable of actors at the lead. I mention this because that’s also the year that the Safdie brothers approached Adam […]

TIFF19 REVIEW: Knives Out [2019]

“The cow and the shotgun” No stranger to a good mystery—noir (Brick) or comedy (The Brothers Bloom)—Knives Out sees Rian Johnson getting back to a wholly original property before returning to the world of Star Wars. From the stellar cast to its Clue-esque estate (even he couldn’t resist that joke), this whodunit has looked impeccably […]

REVIEW: Sorry to Bother You [2018]

“More like apples and the Holocaust” If you’re still unsure about whether capitalism brought the United States to its current position with extreme political divisiveness and the fallacy of what’s left of the “American Dream,” rapper-turned-writer/director Boots Riley is here to break it down via a debut as satirically sound as it is insanely, absurdly […]

REVIEW: Crown Heights [2017]

“Please don’t let it be a cell” It’s a horror story. Eighteen year-old black immigrant from Trinidad—not averse to such crimes as boosting cars for extra cash—is picked up on the street, handcuffed, and taken into custody for the murder of someone he’s never even heard of let alone seen to put a bullet in […]