REVIEW: Piercing [2019]

“The terror must be in English” A marriage between the gorgeously disturbing imagery Nicolas Pesce delivered via his debut The Eyes of My Mother and the surreally warped sensibilities of Audition author Ryû Murakami definitely piqued my interest as far as the former’s adaptation of the latter’s novel Piercing. This psycho-thriller concerns new father Reed’s […]

TIFF REVIEW: Life Itself [2018]

“Tell them I’m nice” Morbid or not: I love when stationary characters turn to the camera only to be hit by a vehicle coming from offscreen. There’s something that’s just immensely satisfying about watching one step into that sweet spot of quiet, empty space with a hindered view on either side. I brace for impact, […]

INTERVIEW: Sebastian Schipper, director/cowriter of Victoria

The word on the street about Victoria is that it’s a must-see for one reason: its entire two-plus hour runtime was captured in a single, pulse-pounding continuous take. While that aspect is definitely paramount, don’t think the film has nothing else to offer. This thing gets your blood pumping as much from the authentic performances […]

TIFF15 REVIEW: Victoria [2015]

“Let’s hit the roof, boys” If director/co-writer Sebastian Schipper wanted, he could have easily turned Victoria into a first-person adventure through the streets of Berlin. It practically is already considering cinematographer Sturla Brandth Grøvlen follows behind the filmmaker’s main quartet for the entire two-hour, eighteen-minute single shot. Unlike allowing its characters to turn towards the […]