REVIEW: Mission: Impossible [1996]
“Hasta lasagna. Don’t get any on ya.” Despite completing its successful seven-season run in 1973, it would take another twenty-three years before Bruce Geller‘s original television series received its inevitable cinematic adaptation. For a former Emmy winner starring the likes of Peter Graves, Martin Landau, and Leonard Nimoy with an action thriller premise just past […]
REVIEW: The Party [2017]
“Another announcement. Good God.” I admire what Sally Potter is trying to do with her black comedy The Party as experiment. She’s placed a group of friends with different political, economic, and romantic views into a single room, hanging a secret(s) over their heads with the potential to destroy their individual and communal identities. They’re […]
REVIEW: Darkest Hour [2017]
“It’s not a gift. It’s revenge.” Did you know Winston Churchill was given the Prime Minister position during World War II as a means to appease the opposition party before quickly removing him (once he failed like he always did) for the Conservatives’ actual choice to replace Neville Chamberlain? It’s quite the bit of intrigue […]
REVIEW: Gosford Park [2001]
“I’m the perfect servant: I have no life” Watching Gosford Park again conjured thoughts about it being quintessential Robert Altman, thoughts I couldn’t conjure in 2001 considering it was my first true experience watching one of his films. It proves the perfect evolutionary end to a way of filmmaking he began over twenty years previous […]
REVIEW: Only God Forgives [2013]
“No matter what happens, keep your eyes closed” I’ve never seen a film by Alejandro Jodorowsky, but it doesn’t take a long glimpse into the auteur’s internet biographies to understand why Nicolas Winding Refn dedicated his Only God Forgives to the legend. Descriptions are riddled with labels such as “avant-garde”, “violently surreal”, “mystical”, and “religiously […]
Posterized Propaganda July 2013: ‘Only God Forgives,’ ‘Pacific Rim,’ ‘Fruitvale Station’ & More
“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill […]
REVIEW: Dans la maison [In the House] [2012]
“What’s a perfect family’s house like?” What happens inside one’s home is sacred. Your skeletons are exposed, carefully manufactured façades rest for the night, and pent up frustrations boil to the surface in a cathartic outburst of unchecked emotion and fatigued spirit. This is why voyeurism has such a psychologically sensual appeal in its incomparable […]
REVIEW: Salmon Fishing in the Yemen [2012]
“In that case I can fish” Much like how an absurd notion of satisfying a wealthy Sheikh’s whim to bring British salmon into the Yemen could actually occur—so Anglo-Middle East relations can attain a meaningless victory against a highly destructive war—the film adaptation of Paul Torday‘s novel Salmon Fishing in the Yemen is a feel […]
REVIEW: Ne le dis à personne [Tell No One] [2007]
“Be careful, I love you” Ne le dis à personne [Tell No One] is an ambitious adaptation of a Harlan Coben novel by French actor Guillaume Canet. I was completely surprised when checking out the actors’ names and seeing his as character Philippe Neuville, a deceased horse rider and integral part of the story. The […]
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