REVIEW: Despicable Me 3 [2017]

“I love the combination of Gummy Bears and meat” You have to give Illumination credit because they chose to cultivate an animated niche able to set them apart from Pixar rather than simply seek to copy their blueprint. Their path brings them closer to Dreamworks and yet we can still pick out the difference because […]

REVIEW: Ghostbusters [2016]

“Ain’t no bitches gonna bust no ghosts” They lied. I walked out of Paul Feig‘s Ghostbusters reboot to find my childhood intact. Memories didn’t disappear as the run-time progressed with cooties-infested women replacing the nerdy, elitist dickheads in jumpsuits who ran amok in New York City years ago. In fact, these 21st century scientists actually […]

REVIEW: The Diary of a Teenage Girl [2015]

“And now the making of a harlot” You don’t realize what might be missing from a film until it’s staring you in the face elsewhere. I love The Perks of Being a Wallflower for its universality, authentic emotions, and resonance, but there was something absent I could only see while watching Marielle Heller‘s adaptation of […]

Wiig, Gyllenhaal, and Monster Love at the 2014 Toronto International Film Festival

Friends and family think me crazy for driving up the QEW so I can sit in darkened theaters for around thirty of a total eighty-hours in Toronto, but I wouldn’t spend my early September days any other way. This is what the Toronto International Film Festival does—it makes you look sanity in the face, say no […]

TIFF14 REVIEW: Welcome to Me [2015]

“And only five carbohydrants” There’s a great reference in Welcome to Me about Cindy Sherman that many may gloss over. Director Shira Piven and screenwriter Eliot Laurence made mention to Network and The Truman Show during their Q&A after my TIFF screening, but I don’t think such comparisons hold a candle to Sherman’s photography challenging […]

REVIEW: How to Train Your Dragon 2 [2014]

“What you’re searching for is in here” With ten children’s books already published—and two more planned—Cressida Cowell has given Dreamworks animation a ton of material to adapt whether adhered to religiously or not. Their success on How to Train Your Dragon caught many off guard while earning a place in the hearts of children and […]

Posterized Propaganda April 2014: ‘Captain America: Winter Soldier’, ‘Under the Skin’, ‘Transcendence’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill […]

REVIEW: The Secret Life of Walter Mitty [2013]

“I always save your knick-knacks” What began as a 1939 short story by James Thurber debuting in The New Yorker, The Secret Life of Walter Mitty found its way to the big screen in 1947 led by Danny Kaye. The tale of a daydreamer losing himself in excitingly heroic fantasies while sleepwalking through a daytrip […]

REVIEW: Anchorman 2: The Legend Continues [2013]

“You knocked him back to the fifth grade” When you couple my dislike of Anchorman: The Legend of Ron Burgundy with my obvious indifference to the announcement of its long-awaited sequel, watching Harrison Ford on “Jimmy Kimmel Live” in August proved a hilariously spot-on validation of my sheer inability to understand what everyone sees in […]

REVIEW: Despicable Me 2 [2013]

“Do not do your business on the petunias” When we last saw super villain Gru (Steve Carell) in Despicable Me he had just returned the moon to its rightful place in the sky, retired from evil, and become a father to the three sweetest little girls ever: Margo (Miranda Cosgrove), Edith (Dana Gaier), and Agnes […]

Posterized Propaganda March 2012: Gimmicks and Blurs

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill […]