REVIEW: Dolemite Is My Name [2019]

I want the world to know I exist. Much like The Room, Dolemite isn’t a good movie. Unlike The Room, however, Dolemite wants you to laugh. Maybe you laugh at what the actors are doing or maybe you laugh at the sheer audacity of Rudy Ray Moore scraping together a cast and crew who clearly had no idea what to do, but you’re laughing just the same. There’s a distinction to be made here because even those of us (myself included) who are having a good time at the film’s…

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REVIEW: Dark Phoenix [2019]

What did you do to her? Hollywood franchise filmmaking really is a frustrating system insofar as allowing good source material room to breathe. That’s not to say it doesn’t sometimes work too, though. Look at Twentieth Century Fox’s cinematic X-Men saga for instance. After hitting a comic book high with X2, the desire for more bombast coupled by a much blunter director (Brett Ratner replaced Bryan Singer, who jumped ship from Marvel to DC) saw X-Men: The Last Stand seemingly destroy all hope of ever seeing this iteration of these…

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REVIEW: X-Men: Apocalypse [2016]

“And from the ashes of their world, we’ll build a better one” At a certain point Charles Xavier (James McAvoy) understands his pupils need more than just help controlling their powers in the X-Men universe. They must also learn to fight. He and Erik Lehnsherr (Michael Fassbender) had no choice but to battle forces of evil in X-Men: First Class and in Days of Future Past the real war was fought in the future with a team of soldiers already formed decades after a thus far unseen origin. Professor X,…

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REVIEW: Dawn of the Planet of the Apes [2014]

“Ape no kill ape” The hype is spot-on with Dawn of the Planet of the Apes. A more focused film than Rise of the Planet of the Apes—which served as an emotive origin tale possessing little unique conflict beyond a fight scene showing off computer effects more than propelling storyline—you should still acknowledge that predecessor allows it to be so. This doesn’t mean you must view it to understand the sequel, however, as a concisely informative prologue is delivered to explain the key plot point of mankind simultaneously giving apes…

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REVIEW: ParaNorman [2012]

“He’s probably up there fiddling with his Wee-Jah or his orbs …” LAIKA, Inc., the little studio with big dreams in Oregon is officially more than a flash in the pan success story that brought to life a critically acclaimed feature film before scaling back to commercials and music videos. Using a beacon in the stop-motion animation world like Henry Selick to adapt and direct Coraline showed the vision to take chances on darker material than most may want to expose their children to and they were rewarded for the…

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TIFF09 RECAP: Connecting to Your World … and mine

Every year at the Toronto International Film Festival seems to get better and better. Is that due to the increase in films from six to eleven to fifteen? It very well might be. And I’ll just say now, watching fifteen films in less than four days may not be the healthiest thing in the world. Between the vendor sausage/chicken dogs/nitrates on a bun being easily accessible and a standard meal when going from one film to the next with barely enough time to catch your breath and the sheer fact…

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TIFF09 REVIEW: The Road [2009]

“I don’t want to just survive” Why do the Weinsteins continue to do it? They buy and finance great stuff, they have an eye for talent, and yet they squander it so many times. When I first heard that the Cormac McCarthy adapted, John Hillcoat directed The Road was being pushed back from last year’s Oscar contention—yes, last year—I just shook my head wondering how those two brothers could ruin it. Was it post-production that needed extra time to complete or did the volatile big men hate the cut and…

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