DESIGN: 2012 In Music

Tracklisting:Disc 11. “Water Runs” — Reptar 5:14 | from Body Faucet; Vagrant Records2. “Dougou Badia” — Amadou & Mariam (ft. Santigold) 3:53 | from Folila; Nonesuch Records3. “Mind Your Manners” — Chiddy Bang (ft. Icona Pop) 3:16 | from Breakfast; Virgin, I.R.S.4. “Bright Whites” — Kishi Bashi 4:13 | from 151a; Joyful Noise5. “Little Talks” — Of Monsters and Men 4:25 | from My Head is an Animal; Universal6. “We Are Young” — fun. (ft. Janelle Monae) 4:10 | from Some Nights; Fueled by Ramen7. “End of the Line” —…

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Top 100 Albums of 2012

Honorable Mention: #100: Heartbreaking Bravery by Moonface with Sinai #99: Oceania by The Smashing Pumpkins #98: Break It Yourself by Andrew Bird #97: Golden Years by Brothertiger #96: Tramp by Sharon Van Etten #95: Out Of Frequency by The Asteroids Galaxy Tour #94: Cynic’s New Year by Horse Feathers #93: Bear Creek by Brandi Carlile #92: Sjung by Laleh #91: Outlands by Deep Sea Arcade #90: Something by Chairlift #89: A Gentle Reminder by The Jealous Sound #88: Lex Hives by The Hives #87: Stars And Satellites by Trampled By…

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Top 100 Songs of 2012

#100: Always Rains by Janus — #99: Bliss by Blaqk Audio — #98: Cameo Lover by Kimbra — #97: Dour Percentage by Of Montreal — #96: oOoO by Oberhofer — #95: Alone by Trampled By Turtles — #94: Who’s Feeling Young Now? by Punch Brothers — #93: Good As New by Vacationer — #92: Wishes by Beach House — #91: Ode To Sad Disco by Mark Lanegan Band — #90: Touch the Clouds (Taste the Ground) by Good Old War — #89: Tell Me A Tale by Michael Kiwanuka —…

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REVIEW: Cosmopolis [2012]

“My prostate is asymmetrical” Thematically more like what David Cronenberg created before his last three films; I’m not quite sure what to think about Cosmopolis. Faithfully adapted from a novel by Don DeLillo, its look inside the day of billionaire magnate Eric Packer (Robert Pattinson) skews closest to the hellish descents behind the director’s eXistenZ and seminal work Videodrome through a filter of smugness a la Bret Easton Ellis‘ American Psycho. The characters speak in pronouns with a universal aloofness that makes their world appear a coldly detached fabrication of…

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