REVIEW: Yoga Hosers [2016]

“It looks like a Vancouver hockey riot in here” You can’t fault Kevin Smith for having his heart in the right place. We can only blame his financiers for letting this True North trilogy crusade continue on with Yoga Hosers despite a short turnaround from script-to-screen neglecting the step of weighing its viability and worth […]

Wiig, Gyllenhaal, and Monster Love at the 2014 Toronto International Film Festival

Friends and family think me crazy for driving up the QEW so I can sit in darkened theaters for around thirty of a total eighty-hours in Toronto, but I wouldn’t spend my early September days any other way. This is what the Toronto International Film Festival does—it makes you look sanity in the face, say no […]

REVIEW: Tusk [2014]

“I believe we’re all tea people” I want to dismiss Kevin Smith‘s second foray into horror as total bullshit. I really do. Not only was Tusk created on a lark because one of his and Scott Mosier‘s internet Smodcasts recorded them discussing a crazy Gumtree ad offering a room for rent if the lodger agreed […]

Posterized Propaganda September 2014: ‘The Zero Theorem,’ ‘The Boxtrolls’, ‘Eleanor Rigby,’ and More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill […]

Toronto International Film Festival 2014 Preview

We may have two consistent film festivals here in town showcasing small releases and restored classics, but you might not realize how close we are to one of the biggest in the world. Most “in the know” will center on five events when thinking about the best of the best film festivals and while Venice, […]

REVIEW: Dogma [1999]

“You can’t be anal retentive if you don’t have an anus” Due to an overly self-deprecating humor, writer/director Kevin Smith will always be the first to say he lacks true “talent” as a filmmaker. From the ultra-low budget Clerks to a recent spate of box office failures, his work deals in eccentrically loquacious characters with […]

TIFF13 REVIEW: 2013 Short Cuts Canada Programmes

Programme 1 A far cry from the documentary short Joda—a visual letter to Jafar Panahi—that was included in the TIFF Short Cuts Canada Programme last year, graphic designer turned filmmaker Theodore Ushev’s Gloria Victoria is all about the visceral and aural capabilities of film without something as unnecessary as words. Full of sumptuous textured layers […]

REVIEW: Tug [2013]

“I peed? In the bed?” I guess this is what filmmaking becoming easier and cheaper does for all holding the dream and passion to create. It goes back to Kevin Smith‘s Clerks proving that the depiction of the comic and mundane of slacker culture could speak to a new generation feeling the exact same angst. […]

REVIEW: B.O.Y.D. [2012]

“It’s the McKinley Mall, dude—not LA” The concept of localized indie film carries with it the caveat of losing audience members who can’t understand references sprinkled throughout because they’ve never been to the locale. It’s a fine line filmmakers must toe when dealing outside the big city mentality of an NYC or LA and could […]

REVIEW: Mallrats [1995]

“Like the back of a Volkswagen?” The term ‘sophomore slump’ was thrown around a lot back in 1995 where Kevin Smith‘s Mallrats is concerned and I can agree with the sentiment almost two decades later. After the astronomical success of his debut Clerks, it’s unsurprising that a studio would take a gamble on banking profits […]

REVIEW: Red State [2011]

“Even the Nazis think this guy is nuckin’ futs” As if Kevin Smith wasn’t polarizing enough on his own, the venture making Cop Out for hire bought more ill-will and the risky endeavor of self-producing an original horror only allowed a new genre’s legion of fans to add to the backlash. It’s weird because I […]