REVIEW: Rupture [2017]

“You will feel it soon” It’s taken ten years, but Secretary director Steven Shainberg has finally followed-up Fur: An Imaginary Portrait of Diane Arbus. The result is Rupture, a body horror-lite tale about a woman held captive as part of an experiment meant to unlock humanity’s hidden potential to evolve beyond our current state. Written by Brian Nelson (the two share story credit), its script seeks to mess with our expectations as it does its prisoner Renee (Noomi Rapace). We’re to cultivate a sense of paranoia with surveillance dominating the…

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REVIEW: Max Rose [2016]

“Without somebody you’re nobody at all” A film centering on octogenarians isn’t an easy sell. Not even when you get a legend like Jerry Lewis to come out of retirement to deliver his first starring role in twenty years. So you have to give Daniel Noah credit—he got it done. And after a few years producing some effective genre films with his shingle SpectreVision, Max Rose also becomes a return for him to the director’s chair. He admits that he couldn’t see anyone else doing the material justice, the script…

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TIFF12 REVIEW: Argo [2012]

“The United States government has just sanctioned your science fiction movie” In 1979, tensions between Iran and the United States reached a boil after Ayatollah Khomeini called for a return of his predecessor—Shah Pahlavi—in order to try him in what would be a kangaroo court whether or not deserved. Allowed passage into the US to attend the Mayo clinic and combat his cancer, the fact we were housing him infuriated a group of Islamist students and militant followers of the Imam’s Line to the point of storming the American embassy…

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REVIEW: Red State [2011]

“Even the Nazis think this guy is nuckin’ futs” As if Kevin Smith wasn’t polarizing enough on his own, the venture making Cop Out for hire bought more ill-will and the risky endeavor of self-producing an original horror only allowed a new genre’s legion of fans to add to the backlash. It’s weird because I always thought Smith was pretty universally loved between his seminal debut Clerks and cult favorites Mallrats and Chasing Amy. My circle of friends would stop at nothing to see his latest work in the theatres…

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