Picking Winners at the 92nd Annual Academy Awards

The 92nd Annual Academy Awards hits airwaves Sunday, February 9th, 2020 at 8:00pm on ABC. For those handicapping at home, here are the guesses of Buffalo film fanatics Christopher Schobert, William Altreuter, and myself. Jared Mobarak: Let’s face it. The Oscars have been irrelevant from a creative standpoint since … probably forever. The whole thing is a marketing ploy to boost box office numbers and give trailer makers something to put next to names of creative. That’s why theaters re-release nominees. That’s why boutique studios hold wide rollouts until foreign…

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REVIEW: Richard Jewell [2019]

I’m me. There’s a major difference between fact (Richard Jewell is currently being investigated as a potential suspect) and editorial conjecture meant to carry your byline and publication into the national spotlight (Richard Jewell epitomizes the lone bomber profile and the FBI are nearing an arrest). Some journalists can’t unfortunately spot the difference. Why? Because sensationalized speculation sells. Once the 24-hour news cycle generated for-profit entities more worried about ratings than transparently calling a spade a spade, our ability to discern truth from opinion became eroded to the point where…

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REVIEW: On the Basis of Sex [2018]

Hooray for Mommy. Even if we weren’t mired in the middle of the Trump Administration with a constant tidal wave of sexist and xenophobic rhetoric masquerading as national emergencies, the story of Ruth Bader Ginsburg defying the patriarchy where it came to archaic laws arbitrarily creating separate rights based on gender would be timely. Because while it’s fun to joke about giving the eighty-five year old Supreme Court justice a kidney so another GOP-sanctioned candidate doesn’t get shoved through without proper vetting, a line spoken by one of her husband…

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REVIEW: Tammy [2014]

“You wanna go ride a cow?” I like Melissa McCarthy and her trademarked hard-edged, scumbag persona in films. She’s often the best part of things that don’t work—Identity Thief—and those that do—Bridesmaids. So I’d love to blame someone else for how tired and frankly unfunny her latest Tammy is despite knowing I can’t. She co-wrote the road trip comedy with her husband Ben Falcone while he also directed. Maybe there was some interference courtesy of Adam McKay and Will Ferrell lending their shingle to the production, but I’d be surprised…

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REVIEW: Midnight in Paris [2011]

“Nostalgia is denial” Who knew Woody Allen could be so whimsical? I guess to ardent fans of the auteur, this question may seem ridiculous—either I’m uneducated to think he wasn’t or I’m oblivious to not realize he always was. Whichever side of the fence you fall on, nothing will deter my, quite possibly premature, musing that Midnight in Paris is my new favorite Woody film. I haven’t seen many, including barely any before Celebrity, (as in all his classics), but there is just something about this movie that put a…

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REVIEW: The Blind Side [2009]

“With God All Things Are Possible” Everyone enjoys a feel good story, especially if it’s based on fact. When the main character of the true life tale is a young man saved from the squalor of gang life and an inevitable bullet to be loved, educated, and sent on his merry way towards a career in the NFL, well you’ve got film adaptation written all over it. That is exactly what Warner Brothers thought when optioning Michael Oher’s past, via a book by Michael Lewis, and casting Sandra Bullock as…

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REVIEW: The Day the Earth Stood Still [2008]

“Only on the precipice do we evolve” Ah, remakes. Why does Hollywood insist on updating/copying/being inspired by past works, especially when the original was good? The past few years have even seen re-imaginings of John Carpenter films; the guy is still alive and making movies, so why are we redoing his past work from only two decades ago? When it comes to the sci-fi classic The Day the Earth Stood Still, I guess one can at least comprehend the want to infuse some 21st century graphics and effects; it was…

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