REVIEW: Jumanji: Welcome to the Jungle [2017]

“Find the missing piece” The end of Jumanji shows Alan and Sarah chaining up the board game before throwing it over a bridge into water. Later we see it washed ashore on a beach, buried in the sand with chains removed as people walk by speaking what sounds like French. So we wonder how long […]

REVIEW: Guardians of the Galaxy Vol. 2 [2017]

“It’s not ripe” The world of Guardians of the Galaxy proved a necessary shot of comic and action adrenaline for the Marvel Cinematic Universe back in 2014. It gave a breather from the Tony Stark crew, allowed the voice of an outsider in James Gunn to permeate the Hollywood machine, and introduced a level of […]

REVIEW: In a Valley of Violence [2016]

“I stopped listening to men like you a long time ago” Ti West‘s western In a Valley of Violence might have been great if it allowed itself to become the serious revenge thriller it sporadically proves. A dark drama able to embrace the weight of its characters’ turmoil appears once you remove Karen Gillan‘s over-the-top […]

REVIEW: The Big Short [2015]

“Trust me. This happened.” I can honestly say I learned something watching The Big Short. That’s no small feat considering it was directed and cowritten by funnyman Adam McKay. His collaborations with Will Ferrell acting like a doofus are generally the exact opposite of educational. But he couldn’t have told this story about the handful […]

REVIEW: Guardians of the Galaxy [2014]

“I don’t learn” It shouldn’t come as a surprise that the best Marvel film to date would be one without a single recognizable character to anyone not already a fan. Guardians of the Galaxy has been around since 1969, but it’s the 2008 iteration by Dan Abnett and Andy Lanning which struck the studio’s fancy […]

Posterized Propaganda April 2014: ‘Captain America: Winter Soldier’, ‘Under the Skin’, ‘Transcendence’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill […]