Posterized Propaganda February 2014: ‘RoboCop’, ‘The LEGO Movie’, ‘Non-Stop’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. February is here, January dump month is over, and 2014 is officially ready to take control with only a few more festival holdovers from last Fall. A couple summer-caliber flicks…

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REVIEW: Wristcutters: A Love Story [2007]

“The dog has spoken” Goran Dukic’s Wristcutters: A Love Story is indie cinema to the core. With a plot concerning life in purgatory—an adequate punishment being that it is life as usual, but a little worse—and a band of suicides (or off’d people) trying to find love, answers, and a way out, this film laughs at the mainstream and succeeds as a result. Everyone involved is a kooky, crazy character with little screentime yet large meaning. Zia just could not take it anymore and decides to end it all by…

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REVIEW: Control [2007]

“Love will tear us apart, again” Anton Corbijn has finally joined the ranks of his contemporaries Spike Jonze, Michel Gondry, and Mark Romanek in directing his first full-length feature. No one could have been a better choice than this still photographer and music video director of cutting edge bands like Depeche Mode, Echo and the Bunnymen, and, of course, Joy Division themselves with the video for “Atmosphere” (albeit eight years after the death of frontman Ian Curtis). Corbijn has the sensibilities to craft a gorgeous study of a man on…

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