REVIEW: El Camino: A Breaking Bad Movie [2019]

“Nothing beats cash on-hand” Obviously contains “Breaking Bad” spoilers. I’m neither alone in this thinking nor objectively correct, but “Better Call Saul” is superior to its predecessor “Breaking Bad”. I didn’t even really get into the latter until the season three finale and even then it was tough to stay invested in its cast of monsters doing monstrous things to each other ad nauseam. I say that because they used to be good people—or at least innocent of murder. The intrigue was therefore rooted in how deep they’d fall. Since…

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REVIEW: The Commuter [2018]

“One little thing” If the timeline is to be believed, the fourth meet-up between director Jaume Collet-Serra and Liam Neeson entitled The Commuter was the result of the latter rather than the former. Byron Willinger and Philip de Blasi‘s story went through the hands of at least two other stewards as well as a rewrite by Ryan Engle before finally going in front of the cameras. So one could hypothesize Collet-Serra was brought in as someone familiar with the genre, tropes, and especially the lead actor to bring things home.…

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REVIEW: Mudbound [2017]

“They say it’s bad luck to watch somebody leave” People too often speak about America’s scars as though the damage was done, skin healed over, and remnants already mostly faded away. But this isn’t true. Ask any member of a group that has been marginalized from the moment Europeans landed on the Atlantic shore until now—namely anyone who isn’t a white Anglo-Saxon Christian—and hear about the myriad ways in which their country has still yet to treat them like they belong. Too many wax on about giving Native Americans land,…

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REVIEW: Beverly Hills Cop [1984]

“We got cocaine and coffee here. We’re gonna get wired and have a big party.” It isn’t difficult to believe why Beverly Hills Cop received an Oscar nomination for Best Original Screenplay. The laughs are huge, the characters more complex than simply facilitators of plot progression, and the central mystery a solid criminal investigation despite being relegated to the background as a MacGuffin used to evolve relationships and build trust between Axel Foley (Eddie Murphy) and the cops he messes with along the way. The surprise comes from reading about…

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REVIEW: Identity Thief [2013]

“Foxhole! The safe word is Foxhole!” The words “from the director of Horrible Bosses” instilled little hope for me sitting down to Seth Gordon‘s newest work Identity Thief. Screenwriter Craig Mazan‘s name—he of too many asinine spoofs—only made matters worse. No, this road comedy’s saving grace would have to be co-star Melissa McCarthy and the level of hysterics she has unfailingly brought since breaking out in Bridesmaids. The fact her role of Diana was rewritten specifically for her after original intentions called for a man shows how high her star…

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REVIEW: Armed and Dangerous [1986]

“I got my Christmas goose early” If a band like Atlantic Starr is singing your movie’s theme song, it’s a pretty easy guess you’re from the 1980s. To most this tag is a detriment but others wear it like a badge of honor. Armed and Dangerous is one such film, letting the likes of John Candy and Eugene Levy run with its simple comedic plot as director Mark L. Lester hones his action expertise in order to destroy a bunch of cars with a renegade sixteen-wheeler, rocket fuel, and guided…

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