REVIEW: Miller’s Crossing [1990]

I’ll think about it. The mob is a business like any other. Leadership must be strong and decisive, employees must be loyal to a fault, and every once in a while you have to cut someone you like loose in order to not anger someone you might like less but definitely need more. Despite everything we learn as kids that ends up being useless, the concept of “choosing the lesser of two evils” will forever prove as useful as breathing and yet we have trouble reconciling such dilemmas due to…

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REVIEW: Big Eyes [2014]

“I’m just a Sunday painter” It’s a paint-off. Literally. Will the winner be the charismatic salesman peddling his wife’s art as his own or the soft-spoken woman slaving away in a turpentine-filled room that’s been dominated and belittled into allowing him to do so? Who will earn the right to say they were the creators of an oeuvre simultaneously thought to be worth thousands of dollars and infinite fame by the general populace and conversely less than the canvas they were painted on by New York Times critic John Canaday…

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REVIEW: Atlas Shrugged: Part I [2011]

“Who is John Galt?” The critical failings of the over fifty years in waiting adaptation of Ayn Rand’s seminal, controversial novel Atlas Shrugged: Part I are more due to the liberal slant of the industry then any shortcomings of the production. Critics across the country snidely remark how we shouldn’t “… hold our breath for parts 2 and 3” (Joe Morgenstern, admitting to not being an admirer of the author), but if you look at the per theatre average take of this independently financed endeavor as well as its unheard…

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