REVIEW: August: Osage County [2013]

“I’ll be sickly sweet” I’m drawn to dysfunction—especially when it’s of the familial persuasion. It’s probably because I didn’t really get exposed to much as a kid growing up with a family most would give anything to have. When you see the looks others who know dysfunction’s definition like the back of their hands telling you that what you believed was an example from your past is laughably quaint to say the least, experiencing a bit of that fiery vitriol at the movies can be invigorating. And when you have…

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REVIEW: Killer Joe [2012]

“You hit her didn’t you?” I’ve been meaning to check out William Friedkin‘s Bug for a while now. Despite my enjoyment for The Exorcist and The French Connection, it’s not necessarily because of the director. I just don’t know enough of his filmography to faithfully keep tabs with high interest. No, the reason I’m fascinated by it besides the involvement of actor Michael Shannon is the dark aesthetic its imagery instills. I bring this up now because it seems that tonal quality may in fact be a product of screenwriter…

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REVIEW: The Company Men [2011]

“You know the worst part? The world didn’t stop.” Independent and television producer/writer John Wells makes his feature directorial debut with The Company Men, a film about three men coping with the recession, corporate downsizing, and how—for the upper crust of America—unemployment may just be harder work than having a job. The conceit is one that audiences can wrap their heads around, especially with so many having family, friends, co-workers, or perhaps themselves affected in much the same way. But despite this universal theme, the implementation can be a bit…

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