REVIEW: The Goldfinch [2019]

I lost something that should have been immortal. Theo Decker (Oakes Fegley) lost a lot one fateful day at The Metropolitan Museum of Art when an unexplained terrorist bombing took his mother, home, stability, and, most importantly, his childhood away. One second he’s stealing a glimpse of the young girl (Aimee Laurence‘s Pippa) beside him in front of a famed Carel Fabritius painting while his mom’s hand leaves his shoulder and the next sees him rising from the ashes of the aftermath, dead bodies everywhere. And if dealing with the…

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Top Ten Films of 2015: Where emotions run high

I have no problem saying 2015 was a great year for cinema. Putting together a Top Ten was difficult at every turn—both because each time I had to do so meant I had seen more films and as a result of my preferences constantly changing. There are more than a few from 11-20 that easily could be Top Ten candidates on a different day. Sadly for them that day isn’t today. Happily for us: the art’s level of quality was good enough to cause such problems. Rules: eligible feature-length films…

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REVIEW: Brooklyn [2015]

“I’m not sure I have a home anymore” I believe a very crucial distinction should be made before going into director John Crowley and writer Nick Hornby‘s adaptation of Colm Tóibín‘s Brooklyn for those unfamiliar with the book. When I watched the trailer it appeared very much like an Oscar-bait romance with a firecracker love triangle between young Eilis Lacey (Saoirse Ronan) and two men in Tony Fiorello (Emory Cohen) and Jim Farrell (Domhnall Gleeson). To a certain extent it is, but don’t get fooled into expecting swooning melodrama to…

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REVIEW: Closed Circuit [2013]

“The judicial process in this country is and will remain fair and transparent” Director John Crowley is a man with good luck picking screenplays. His feature film debut Intermission is a fun Irish romp while drama Boy A is in my opinion criminally underrated and ignored. So, seeing him sign onto a project written by the man behind Dirty Pretty Things and Eastern Promises—Steven Knight—was an exciting discovery, especially after finding the thriller’s trailer to be intriguing enough without spoiling too much of its conspiratorial plot. And everything does work…

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Top 25 Films of 2008

(short and sweet and to the point; culled from watching 129 releases. constantly updated as i catch up to those i missed. click poster for review if applicable) #25: Entre les murs [The Class] directed by Laurent Cantet #24: JCVD directed by Mabrouk El Mechri #23: Boy A directed by John Crowley . #22: Cloverfield directed by Matt Reeves . . #21: Doubt directed by John Patrick Shanley . #20: Il y a longtemps que je t’aime [I’ve Loved You So Long] directed by Philippe Claudel #19: Milk directed by…

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REVIEW: Boy A [2008]

“Evil comes of age” Time to catch up on the indie releases that I missed in 2008, those films that decided to bypass Buffalo on their limited theatrical runs. Boy A has been on that list for a while now, ever since I saw the trailer, one that captivated me completely. That short advertisement didn’t lie as the film is definitely a winner and worth seeing for fans of dark and emotionally gripping dramas. Centered around a young man, just released from prison for killing a young child—when he himself…

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