REVIEW: Man of Steel [2013]

“It wouldn’t be much of a surrender if I resisted” After Bryan Singer’s misguided attempt to stay true to original cinematic canon by having Superman Returns follow Richard Donner’s two Christopher Reeve starrers ultimately failed, a hard reboot was necessary. With DC Comics getting increasingly outplayed by every new expansion of the Marvel universe, it’s no surprise they would hand creative franchise control over to the man who reinvigorated their brand on the big screen in 2008. Producer Christopher Nolan not only found a way to rinse the ugly taste…

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Posterized Propaganda October 2011: Faces Take the Spotlight

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. Thank goodness for the fall season. Not only are the films better, but the artwork generally has its own yummy indie flavor too. Close-up faces covered by sans-serif text reign…

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REVIEW: St. Elmo’s Fire [1985]

“The only illusion that’s worth it” I think Joel Schumacher gets a bad rap. Sure Batman & Robin is possibly the worst movie ever made, and it did kill a multi-million dollar franchise, but is that truly all we think about on the mention of his name? I myself will admit to keeping a stigma of hack whenever Schumacher is talked about, however, along with some decent films of late, his track record in the 80’s was full of pure, nostalgic gems. I finally got the opportunity to check out…

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REVIEW: The Number 23 [2007]

“I think you know” Director Joel Schumacher can go from great (Tigerland), to very good (Falling Down), to classic nostalgia (The Lost Boys), to utter garbage (Batman & Robin). When I hear that he has directed something new, I usually begin with a cringe before checking out the new trailer. The Number 23, however, started its advertisement with an interesting premise, great cast, and finally the Schumacher stamp of unknowingness. I didn’t care that much, thinking that this could definitely go in the great category and cement a change for…

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Top 25 Films of 2000

(short and sweet and to the point; culled from watching 67 releases. constantly updated as i catch up to those i missed. click poster for review if applicable) #25: The Emperor’sNew Groove directed by Mark Dindal #24: Pay It Forward directed by Mimi Leder. #23: Tully directed byHilary Birmingham #22: X-Men directed by Bryan Singer #21: Quills directed by Philip Kaufman #20: State and Main directed by David Mamet #19: Best in Show directed byChristopher Guest #18: Tigerland directed by Joel Schumacher. #17: Almost Famous directed by Cameron Crowe. #16:…

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