Posted by Jared Mobarak on March 25, 2015 · Leave a Comment
I don’t want to label 2014 as a good, bad, or average year. I want to call it inventive, original, and delightfully dark. Whether it’s doppelgänger paradoxes leading to murderous rage, the bleak carnage of war, prison violence, or psychologically debilitating struggles to be great, my favorite films had an edge that cut to the […]
Category essays, top 10 films, z.slideshow · Tags 20000 Days on Earth, A Girl Walks Home Alone at Night, A Most Violent Year, Abus de faiblesse, Abuse of Weakness, Alejandro González Iñárritu, Amy Adams, Ava DuVernay, Beats of the Antonov, Belle, Benedict Cumberbatch, Beyond the Lights, Big Eyes, Big Hero 6, Birdman or (The Unexpected Virtue of Ignorance), Björk: Biophilia Live, Boyhood, Calvary, Citizenfour, Clouds of Sils Maria, Coherence, Coming Home, Dear White People, Deux jours une nuit, Dinosaur 13, Edward Norton, Enemy, Felicity Jones, Finding Vivian Maier, Force Majeure, Foxcatcher, Frank, Fury, Gary Poulter, Guardians of the Galaxy, Gui lai, Hellion, How to Train Your Dragon 2, J.C. Chandor, J.K. Simmons, Jack O'Connell, Jake Gyllenhaal, Jessica Chastain, Jodorowsky’s Dune, Joe, Julianne Moore, Keira Knightley, Kis Uykusu, Last Days in Vietnam, Laura Dern, Leviafan, Leviathan, Libertador, Life Itself, Listen Up Phillip, Logan Lerman, Love is Strange, Manakamana, Mandariinid, Marion Cotillard, Mark Ruffalo, Michael Keaton, Mommy, Palo Alto, Particle Fever, Reese Witherspoon, Relatos salvajes, Richard Linklater, Samba, Selma, Song of the Sea, Starred Up, Still Alice, Take Me to the River, Tangerines, The Better Angels, The Boxtrolls, The Drop, The Grand Budapest Hotel, The Imitation Game, The LEGO Movie, The Liberator, The Overnighters, The Salt of the Earth, The Skeleton Twins, The Theory of Everything, The Wanted 18, Timbuktu, Trick or Treaty?, Turist, Two Days One Night, Under the Skin, Virunga, Wes Anderson, Whiplash, Wild, Wild Tales, Winter Sleep
Posted by Jared Mobarak on March 3, 2014 · Leave a Comment
“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill […]
Category film features, posterized propaganda · Tags 3 Days to Kill, 300, 300: Rise of an Empire, Aaron Paul, Art Machine A Trailer Park Company, Bad Words, Bill & Ted’s Excellent Adventure, Billy Crudup, Blood Ties, BLT Communications LLC, BOND, Cardinal Communications USA, Carlos, Clash of the Titans, Clive Owen, Cold Open, Concept Arts, Cory Monteith, Darren Aronofsky, David Morse, Divergent, Dominic Cooper, Eclipse, Ed Harris, Elijah Wood, Enemy, Grand Piano, ImageMassive, Imogen Poots, It Felt Like Love, Jake Gyllenhaal, Jason Bateman, Jeff Maunoury, Jim Broadbent, Jim Henson, Jodorowsky’s Dune, KiD CuDi, Kilian Eng, Lars von Trier, Le Week-End, Lindsay Duncan, McCanick, MIDNIGHT OIL, Modern Family, Mojo, Mondo Tees, Moonrise Kingdom, Mr. Peabody & Sherman, Muppets Most Wanted, Need for Speed, Noah, Nymphomaniac: Volume I, P+A, Percy Jackson: Sea of Monsters, Proof, Ricky Gervais, Roger Michell, Rohan Chand, Russell Crowe, Sam Smith, Spartacus, Sullivan Stapleton, The American, The Bourne Identity, The Einstein Couple, The Face of Love, The Fast and the Furious, The Grand Budapest Hotel, The Muppets, The Refinery, The Shining, The Wizard of Oz, Tina Fey, Tony Revolori, Ty Burrell, Wes Anderson, Where in the World is Carmen Sandiego?
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