REVIEW: The Unspoken [2016]

“I repeat. Suspect present.” There are only so many iterations of the haunted house trope and yet they continue getting made. Sometimes we’re lucky with James Wan‘s The Conjuring series delivering fear along with period aesthetic and tense mood, but those are few and far between. More often we receive work trying hard to stand […]

Posterized Propaganda October 2012: Summer Excess and Festival Freshness

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill […]

REVIEW: ParaNorman [2012]

“He’s probably up there fiddling with his Wee-Jah or his orbs …” LAIKA, Inc., the little studio with big dreams in Oregon is officially more than a flash in the pan success story that brought to life a critically acclaimed feature film before scaling back to commercials and music videos. Using a beacon in the […]

REVIEW: The Messengers [2007]

“Farmer Sutra” Special sneak previews are always a good time. No matter what movie it is you are seeing, people will always pack the theatre who have been awaiting the film, like free stuff, thought it’d be something to do, or just got lost. Either way, no matter how good or bad the film, the […]

REVIEW: Silent Hill [2006]

“Sinners deserve to lose their spawn” Silent Hill is a study in atmosphere and mood. While some may say it is style over substance, I’d have to agree a bit, but correct the statement to style with substance. Christophe Gans, the visionary director behind a great foreign film Brotherhood of the Wolf, has crafted a […]