REVIEW: Good Time [2017]

“Cross the room if you’ve ever felt lonely” The first person we meet in Josh and Benny Safdie‘s Good Time isn’t its lead Connie Nikas (Robert Pattinson). Before he enters the picture to propel the film towards its kinetic search for ten grand, things begin much slower and much quieter with his brother Nick (played […]

Top Ten Films of 2015: Where emotions run high

I have no problem saying 2015 was a great year for cinema. Putting together a Top Ten was difficult at every turn—both because each time I had to do so meant I had seen more films and as a result of my preferences constantly changing. There are more than a few from 11-20 that easily […]

Picking Winners at the 88th Annual Academy Awards

For those handicapping at home, here are the guesses of Buffalo film fanatics Christopher Schobert, William Altreuter, and myself. Jared Mobarak: Here’s hoping Chris Rock does his best Ricky Gervais as far as not caring about political correctness or duty to kissing up to the celebrities all dressed-up nice because having him host the 2016 […]

REVIEW: The Hateful Eight [2015]

“Well I’ll be double-dog damned” It appears Quentin Tarantino has decided to go back to his roots by making his eighth feature film The Hateful Eight in the same vein as his debut Reservoir Dogs—namely keeping sets and actors to the bare minimum for added tension without room for escape. The maneuver couldn’t have come […]

REVIEW: Anomalisa [2015]

“Nah. That’s British Airways.” Leave it to Charlie Kaufman to write a play about human connection and have it be just three actors who don’t physically interact—two playing single characters and the third everyone else with no discernable attempt to differentiate his voice. Then leave it to Dino Stamatopoulos and Dan Harmon of “Community” and […]

Posterized Propaganda June 2014: ‘Snowpiercer,’ ‘The Rover,’ ‘Venus in Fur’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill […]

REVIEW: The Spectacular Now [2013]

“You’ll always be my favorite ex-boyfriend” Some of us are lucky—a lot luckier than most. The thing about luck, though, is that it may look nothing like it should. Sometimes luck means having your father leave. Sometimes it’s being an eighteen-year old alcoholic everyone at school loves for epitomizing fun despite ultimately acknowledging you’re a […]

REVIEW: Greenberg [2010]

“Can a pool overflow?” There is a saying relayed by Greta Gerwig’s character Florence which perfectly encapsulates what happens during the course of Noah Baumbach’s newest look into the angst of suburbia, Greenberg. She says, “Hurt people hurt people”. The phrase is apt, especially for her being the one a hurt person, Ben Stiller’s titular […]

REVIEW: Synecdoche, New York [2008]

“The end is built into the beginning” We all go about our lives creating a world around us. To us, we are the stars of a film; our surroundings are the set; and the people touching our lives supporting players and/or extras. Philip Seymour Hoffman’s Caden Cotard watches as the plays he directs onstage succeed […]

TIFF07 REVIEW: Margot at the Wedding [2007]

“I think we should do an audit” Noah Baumbach’s follow-up to his critically acclaimed film The Squid and the Whale falls way short of living up to the expectations laid before it. There were numerous moments in Margot at the Wedding’s predecessor that skirted the line of acceptance, but they never crossed it. With this […]