REVIEW: Goon: Last of the Enforcers [2017]

“What a great lockout” The best part of hockey comedy Goon is its ability to never forget itself. Jay Baruchel and Evan Goldberg didn’t write it (based on Adam Frattasio and Douglas Smith‘s non-fiction book) like your usual sports film where winning or losing was the goal. They instead brought to life a soft-spoken, compassionate […]

REVIEW: The Sorcerer’s Apprentice [2010]

“Are you familiar with the grey wolf?” Considering the story goes that Nicolas Cage was the catalyst for getting The Sorcerer’s Apprentice off the ground—he really wanted to do a movie where he had magical powers—and how well-suited his over-the-top theatrics are to family film fare, it’s surprising he hasn’t made a point of doing […]

REVIEW: How to Train Your Dragon 2 [2014]

“What you’re searching for is in here” With ten children’s books already published—and two more planned—Cressida Cowell has given Dreamworks animation a ton of material to adapt whether adhered to religiously or not. Their success on How to Train Your Dragon caught many off guard while earning a place in the hearts of children and […]

REVIEW: Don Peyote [2014]

“Her cigarette never burned out” No one can say I didn’t do my due diligence, but I simply can’t wrap my head around Dan Fogler and Michael Canzoniero‘s stoner-tinted, loose modernization of Don Quixote aptly entitled Don Peyote. People often joke about certain cult films “working better” while high and I can’t help thinking this […]

TIFF13 REVIEW: The Art of the Steal [2013]

“Oh. So you’re a wizard now.” When you’re looking to create a successful heist flick it’s usually a good idea to keep things simple. Make everything as airtight as possible, don’t try for too many twists and turns, and maybe throw in a double cross to add a bit of intrigue. This is something that […]

REVIEW: This is the End [2013]

“Is the power of Christ compelling me? Is that what’s happening?” Way back in 2007 there was a YouTube trailer for a short film entitled Jay and Seth Versus the Apocalypse that whetted fans’ appetites only to never seen by the public. Time went on, nothing appeared to be happening—which wasn’t necessarily a horrible thing […]

Posterized Propaganda June 2013: The Apocalypse is Nigh With ‘Man of Steel,’ ‘World War Z,’ ‘This is the End’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill […]

REVIEW: Goon [2012]

“Probably giving some single mother herpes in the parking lot” Written by Jay Baruchel and Evan Goldberg, Goon is their generation’s Slap Shot with Doug Glatt (Seann William Scott) serving as all three Hanson brothers in one. Bearing more in common than a full stomach of bloody fisticuffs, each work also finds itself born from […]

REVIEW: Cosmopolis [2012]

“My prostate is asymmetrical” Thematically more like what David Cronenberg created before his last three films; I’m not quite sure what to think about Cosmopolis. Faithfully adapted from a novel by Don DeLillo, its look inside the day of billionaire magnate Eric Packer (Robert Pattinson) skews closest to the hellish descents behind the director’s eXistenZ […]

Posterized Propaganda March 2012: Gimmicks and Blurs

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill […]

Posterized Propaganda July 2011: ‘Pooh’ and Friends Trump ‘Monte Carlo’

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact that impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to […]