REVIEW: The Family Fang [2016]

“Let this be your trumpet call: life is sweet so taste it while you still can” No one knows Nicole Kidman‘s strength as an actor quite like Nicole Kidman. It’s no secret that the choices she’s made post-Oscar win for The Hours have been somewhat questionable, but there was at least one fantastic gem in […]

REVIEW: Zootopia [2016]

“Where anyone can be anything” In the tradition of Happy Feet (climate change) and Monsters University (fraternity life), Disney’s Zootopia has transposed adult themes onto PG-rated family fare again. Whereas those previous two were misguided—the former shoving a political agenda down kids’ throats without warning and the latter proving a weird stamp of approval on […]

REVIEW: Dodgeball: A True Underdog Story [2004]

“So what are you dying from that’s keeping you from the finals?” I’m usually the guy who watches the trailer for a stupid raunchy comedy and instantaneously declares it unworthy of my time. For some reason, however, Rawson Marshall Thurber‘s Dodgeball: A True Underdog Story hit every mark necessary to have me believing it could […]

Wiig, Gyllenhaal, and Monster Love at the 2014 Toronto International Film Festival

Friends and family think me crazy for driving up the QEW so I can sit in darkened theaters for around thirty of a total eighty-hours in Toronto, but I wouldn’t spend my early September days any other way. This is what the Toronto International Film Festival does—it makes you look sanity in the face, say no […]

REVIEW: This is Where I Leave You [2014]

“Secrets are cancer to a family” Get ready because I’m going to throw some hyperbole your way. Here it is: This Is Where I Leave You is Franny and Zooey meets The Big Chill. Now hold on a second and let me explain. Jonathan Tropper is not J.D. Salinger and Shawn Levy isn’t Lawrence Kasdan. […]

Posterized Propaganda March 2014: ‘Noah’, ‘Nymphomaniac,’ ‘The Grand Budapest Hotel,’ ‘Enemy’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill […]

TIFF13 REVIEW: Bad Words [2014]

“I threw a tantrum just to get attention” Perhaps Jason Bateman is tired of playing the likeable voice of reason amongst more idiotic counterparts that his iconic turn as Michael Bluth on “Arrested Development” has typecast him into performing ever since the show’s debut launched his comeback into public consciousness. I’m not sure anyone can […]

REVIEW: The Arrested Development Documentary Project [2013]

“I like that guy, Mitch” Something had to suffer once the critically acclaimed and criminally under-watched television comedy “Arrested Development” was announced to be in production with new episodes courtesy of Netflix. That victim is Jeff Smith’s The Arrested Development Documentary Project. Completed in 2012 from interview footage filmed before the show’s phoenix-like rebirth (a […]

Posterized Propaganda April 2013: Sleight of Hand With ‘Trance’, ‘42,’ ‘Upstream Color’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill […]

REVIEW: Identity Thief [2013]

“Foxhole! The safe word is Foxhole!” The words “from the director of Horrible Bosses” instilled little hope for me sitting down to Seth Gordon‘s newest work Identity Thief. Screenwriter Craig Mazan‘s name—he of too many asinine spoofs—only made matters worse. No, this road comedy’s saving grace would have to be co-star Melissa McCarthy and the […]

Posterized Propaganda February 2013: A Snort of Fresh Air with ‘Warm Bodies’, ‘Identity Thief,’ ‘Charles Swan’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill […]