REVIEW: Okja [2017]

“Very healthy!” I’m far from a vegetarian or a pet/animal lover, but I get the reasons why people would be both. And no matter how much I enjoy eating red meat, even I would have to draw the line when confronted with a “Meet your meat” type scenario. What purpose is drawn from such a […]

TIFF17 REVIEW: Stronger [2017]

“I’m a hero for standing there and getting my legs blown off?” Peter Berg‘s take on unsung heroes Patriots Day is barely a year old and here we are with another Boston Marathon bombing film in David Gordon Green‘s Stronger. Rather than focus on the event itself, however, John Pollono‘s script turns focus squarely onto […]

REVIEW: Life [2017]

“Its curiosity outweighs its fear” Calling Daniel Espinosa‘s Life an Alien retread is the easy thing to do. Both are tensely claustrophobic science fiction films with a violent extraterrestrial that’s loose and in search of the crew. But it’s also a very reductive comparison considering they are nothing alike beside genre conventions. The missions are […]

REVIEW: Nocturnal Animals [2016]

“Sometimes it’s not good to change things so much” One movie stood out in 2009: fashion designer Tom Ford‘s unlikely directorial debut A Single Man. It had style to spare and amazing performances (Colin Firth‘s Oscar loss was vindicated a year later), but its emotionality was its greatest strength. Ford created this tragic whirlwind and […]

REVIEW: Demolition [2016]

“She always said I didn’t pay attention” Sometimes we can’t realize we’ve taken the easy road until it’s too late. It’s crass to say, but Davis Mitchell (Jake Gyllenhaal) was lucky to have been abruptly slapped awake when he was. The unfortunate side effect of his rebirth from the doldrums of routine and convenience: the […]

REVIEW: Southpaw [2015]

“This is the talk you get when you lose not when you win” The origins of Southpaw are interesting because it was born from screenwriter Kurt Sutter‘s want to collaborate with Eminem. Now try to picture Marshall Mathers after peering upon any of the bloodied and crazed publicity stills of his replacement Jake Gyllenhaal without […]

Top Ten Films of 2014: A deluge of sci-fi doppelgängers and one-word titles

I don’t want to label 2014 as a good, bad, or average year. I want to call it inventive, original, and delightfully dark. Whether it’s doppelgänger paradoxes leading to murderous rage, the bleak carnage of war, prison violence, or psychologically debilitating struggles to be great, my favorite films had an edge that cut to the […]

Posterized Propaganda October 2014: ‘Gone Girl,’ ‘Nightcrawler,’ ‘Whiplash,’ and More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill […]

Wiig, Gyllenhaal, and Monster Love at the 2014 Toronto International Film Festival

Friends and family think me crazy for driving up the QEW so I can sit in darkened theaters for around thirty of a total eighty-hours in Toronto, but I wouldn’t spend my early September days any other way. This is what the Toronto International Film Festival does—it makes you look sanity in the face, say no […]

TIFF14 REVIEW: Nightcrawler [2014]

“If you want to win the lottery you have to have the money to buy a ticket” There are some huge ebbs and flows in Dan Gilroy‘s Nightcrawler. At times I loved it, others I felt bad for laughing, and some instances made me wonder what exactly it was I was watching. In the end, […]

REVIEW: Enemy [2014]

“Chaos is order yet undeciphered” When you read a synopsis for the late Nobel Prize-winning author José Saramago’s The Double you’ll find a very straightforward tale of doppelgangers. There’s the alpha, the pushover, and the innocent victims caught between; the insanity of seeing an exact replica in the flesh paired with the infinite possibilities such […]