REVIEW: John Wick: Chapter 3 – Parabellum [2019]

Rules and consequences. Like the Purge series before it, John Wick is proving to be a money-making franchise that loves to let its mythology gradually unfold in a way that familiarizes via a personal experience prior to zooming out so the systemic issues beyond one man’s home can be revealed. While we still stay with the titular character as played by Keanu Reeves (an assassin that assassins simultaneously fear and revere who did the impossible to get out of the life only to see tragedy—his wife’s untimely death—start a chain…

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REVIEW: Hellboy [2019]

It looked bigger in the cartoon. There’s no getting around the fact that Lionsgate did Guillermo del Toro dirty by not extending him an invitation to complete his Hellboy vision with a third film. Whether their decision was due to whatever rubric used to measure the franchise’s success (that they’d willingly reboot the property so soon shows it was viable enough) or creator Mike Mignola wanting to bring things back to where he thought they should be (as was floated around), they turned their back on a soon-to-be Oscar winning…

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REVIEW: John Wick: Chapter 2 [2017]

“Are you here for the Pope?” The team behind John Wick achieved success with a formula that distilled the prototypical action film down to its main points of entertainment while leaving the fat on the cutting room floor. This is why we moved back and forth through time for some scenes (the result playing out while the road there is experienced in montage) and why the economy of script successfully conveyed a hyper-real state of danger and malice from all involved. We don’t need elaboration on what we just saw…

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REVIEW: John Wick [2014]

“I’d like a dinner reservation for twelve” If ever there was a film you truly cannot judge by its cover, John Wick is it. We’re talking an action flick about a retired assassin played with stoic Zen by Keanu Reeves (the titular Wick) going on a killing spree against Viggo Tarasov’s (Michael Nyqvist) Russian mob syndicate because the crime boss’ son Iosef (Alfie Allen) stole his car and killed his dog. Sure there’s more emotional heft to this catalyzing event to not think Wick is entirely off his rocker with…

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INTERVIEW: Timothy J. Cox, star of Simple Mind, Choosing Sides, and more

Becoming a working actor is hardly an easy career path chosen lightly. For character actor Timothy J. Cox the journey towards independent film began by accident in 8th grade yet became a calling it would seem he was born to follow. Still, it took him almost a decade of living in New York City before making the decision to focus his professional efforts onto the film set above the theatrical stage. Whether performing in student thesis projects, indie shorts, contests, or features, Cox has made a name for himself through…

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REVIEW: Jack the Giant Slayer [2013]

“We never forget a smell” What do you get when you combine the English folktale Jack and the Beanstalk with the more violent Cornish fairy tale Jack the Giant Killer in an age where computer animation pretty much allows anything to be possible? Bryan Singer’s Jack the Giant Slayer, of course. A film that has traveled through many hands—Darren Lemke wrote the original script, David Dobkin has a credit, D.J. Caruso was once attached to direct, and screenwriter Christopher McQuarrie reworked the tone and plot to where it is today—I…

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REVIEW: Snow White and the Huntsman [2012]

“Have I not given you all?” What happens when a fairy tale depicting an innocent princess saved by a litany of characters on her way to the crown turns into an epic battle with heroine in full armor storming the castle herself? Well, we discover just how flimsy a character the titular Snow White actually is. A prisoner for years while an evil queen brought darkness upon her kingdom, the young girl’s escape into the hallucinogenic Dark Forest proves nothing but a sense of survival. She has no skills at…

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REVIEW: Coraline [2009]

“Great, the village stalker” OK America, before you go blindly into an animated film with your young children, why don’t you do a little research on what they are about to witness. A PG rating and stop-motion animated aesthetic do not always make a child-friendly adventure. Based upon the horror novella by acclaimed author Neil Gaiman, Henry Selick’s Coraline is chockfull of heavy material, dark story threads, and bleak possibilities. For a guy like me, those things equal undivided success; for a child aged ten, those things equal nightmare filled…

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REVIEW: Kung Fu Panda [2008]

“Can you handle the crazy feet?” Pixar is where it is at for me animation-wise in Hollywood. Maybe that makes me a snob, but something about their films resonate on a level that the others can’t even begin to touch. Sure Shrek and Madagascar are funny, but besides the off-belly laugh, they are kind of shallow and hollow. With that said, I went to check out Dreamworks new foray into computer graphic cinema, Kung Fu Panda. Admittedly, I knew very little about this thing other than the fact that Jack…

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REVIEW: The Golden Compass [2007]

“Just a small little cut” I have thought that Philip Pullman’s His Dark Materials Trilogy would make some very interesting films ever since I read them almost a decade ago. The fantasy and utter intrigue that they instilled in me never left my consciousness. When I heard that American Pie director Chris Weitz would be helming it, I wasn’t quite sure what to expect. I’ve seen many movies in my time to know that past work means often little when it comes to future endeavors, but I admit to enjoying…

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