REVIEW: Jay and Silent Bob Strike Back [2001]

They don’t deserve their own movie. It’s easy to forget that Jay and Silent Bob Strike Back was supposed to be the View Askewniverse’s final chapter. Writer/director Kevin Smith had finally decided to grow up (a relative term) and leave the foul-mouthed, pot-dealing miscreants he and Jason Mewes brought to life in Clerks (before subsequently popping-up in every film) behind. He even capped the credits with God (Alanis Morrisette) closing the proverbial book after corralling as many familiar faces and stars he could for what proved a self-conscious and self-referential…

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Posterized Propaganda December 2012: A Cinematic Library with ‘Django Unchained’, ‘The Hobbit,’ ‘Les Miserables’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. Here we are at the end of 2012, ready for the release of the last few Oscar. It’s a time where story generally triumphs over mainstream appeal and where the…

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REVIEW: Restless [2011]

“One—with a big fat head” I looked forward to this film with anticipation after watching its sweetly touching trailer of quirky kids, death, and the journey taken to find light amidst darkness. Gus Van Sant appeared the perfect match as a visionary able to do so much with sparse material; to allow quiet moments of introspection room to breathe and more resonate sentimentality an authenticity to rise above its inherent triteness. He found a way to make Good Will Hunting‘s overly clichéd script great and Elephant‘s silent storm invigorating, but…

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Posterized Propaganda September 2011: Misfires countered by fearlessness

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact that impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. September is the start of the film festival season. Unsurprisingly, while Toronto, Venice, and New York debut the flicks we’ve been waiting all year to see, the box office…

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The Most Anticipated Films of 2011

While Jon Favreau may say that 2011 looks to have a bloodbath summer on its hands with blockbusters galore taking 3D screens from each other, I’ll say right now that those aren’t the movies most intriguing me. Next year sees a return for Jack Sparrow, Lightning McQueen, Holmes and Watson, the Witwickys, Ethan Hunt, and, of course, everyone’s favorite Ghostface. Superheroes are king once more with Avengers, Mutants, and a delayed and beleaguered Black Beauty coming as well as our once beloved comedian Adam Sandler not only starring in a…

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TIFF10 REVIEW: Wasted on the Young [2010]

“Popular opinion is what you’re best at” Australian cinema has really surged lately with the likes of The Square and Animal Kingdom being released stateside this year. Newcomer Ben C. Lucas now throws his hat into the ring with the suspense drama Wasted on the Young. Described in the Toronto International Film Festival program book as a cross between Gus Van Sant’s Elephant and TV’s “Gossip Girl”, I find it hard to disagree. A high school setting in an elite private school populated by attractive, rich, spoiled children recalls all…

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Top 25 Films of 2008

(short and sweet and to the point; culled from watching 129 releases. constantly updated as i catch up to those i missed. click poster for review if applicable) #25: Entre les murs [The Class] directed by Laurent Cantet #24: JCVD directed by Mabrouk El Mechri #23: Boy A directed by John Crowley . #22: Cloverfield directed by Matt Reeves . . #21: Doubt directed by John Patrick Shanley . #20: Il y a longtemps que je t’aime [I’ve Loved You So Long] directed by Philippe Claudel #19: Milk directed by…

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Top Ten Films of 2008: The Year of World War II

This list is accurate as of post-date. So many films and not enough time to see them all, the potential for future change is inevitable, but as of today here are the best … I don’t know what precipitated 2008 being the year of the World War II movie, but of the 100+ releases I saw, six of them concerned it in some regard. The year saw more than its share of war from all decades with Che, Stop-Loss, Waltz with Bashir, and even Tropic Thunder, however, the Holocaust spent…

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REVIEW: Milk [2008]

“We gotta give em hope” I have to admit that I forgot Gus Van Sant knew how to make films with a linear storyline. The man is a visionary with My Own Private Idaho standing as one of my personal favorites and, a little more recently, Elephant being a testament to craft succeeding beyond a need for dialogue. But of course, the film everyone loves is that Damon/Affleck darling Good Will Hunting, and I do too. Mix them all together, add some non-fiction, and you’ll come close to Milk, the…

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REVIEW: Paris, je t’aime [Paris, I Love You] [2006]

I have been eagerly awaiting the release of the short film anthology Paris, je t’aime [Paris, I Love You] for a long time. Once I heard of the project it really interested me as something that could be amazing, with some enormous talent attached. To my disappointment, I read about the finished shorts and how good they were, but alas no release date stateside for the entire experience. It will eventually come to the US (limited early May, Buffalo? Maybe), however, I could wait no longer and made the purchase…

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REVIEW: Funny Games [1997]

“You’re on their side, so who will you bet with?” I’ve been meaning to write a review for Michael Haneke’s Funny Games since rewatching it Halloween night. I had seen it for the first time around 3-4 years ago on IFC and was blown away by its inventiveness. It definitely holds up today as a sharp thriller and satire for our culture of wanting to see pain and torture on screen. With movies like Saw coming to theatres now, it may be even more relevant than it was in 1997.…

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