REVIEW: Motherless Brooklyn [2019]

I’m chasing his footsteps. Frank Minna (Bruce Willis) was more than a boss to Lionel Essrog (Edward Norton). This man plucked him out of an orphanage wherein the nuns beat him because they believed his Tourette syndrome was a sign of wavering faith. Frank taught Lionel that anyone using God’s name to harm a child isn’t someone worth listening to, took him under his wing, and hired him (along with three other orphans in Bobby Cannavale‘s Tony, Dallas Roberts‘ Danny, and Ethan Suplee‘s Gilbert) as a gumshoe for his private…

Read More

REVIEW: Fast Color [2019]

I want us to try again. It’s a gift that has been carried down through generations, always from mother to daughter. It can break apart any object they can physically see into its core molecules, swirling them around in the air until ready to reform as whatever it was beforehand. A bowl, cigarette, and even a door if need be can get dematerialized through sheer will of spirit—a parlor trick on its surface with the potential for more. But what if “more” means corruption? What if “more” means harming outsiders…

Read More

REVIEW: A Wrinkle in Time [2018]

“Love is the frequency” While waiting outside the bathrooms after A Wrinkle in Time finished, I saw a white couple with their two young, fair-haired daughters walking out of the theater. Mom and Dad were explaining to one how movies are interpretations. They were reminding her that she had an idea of what the characters looked like while reading and now Ava DuVernay showed hers onscreen. The girl looked up and said, “Yeah. Most of them were blonde in the book.” They went out of earshot soon after, just as…

Read More

REVIEW: Beauty and the Beast [2017]

“Now find it in your mind’s eye and feel it in your heart” This latest Disney epoch consisting of live action remakes/re-imaginings of their classic animated tales has the studio utilizing a few different creative motivations. The best has thus far has been their ability to find ways to create something wholly new and better from the blueprints of those that didn’t age well (The Jungle Book‘s basic sing-along and Pete’s Dragon‘s archaic values). Then there’s the “if it ain’t broke don’t fix it” school with Cinderella wherein the filmmakers…

Read More

REVIEW: Concussion [2015]

“Tell the truth” As of September of 2015 it was reported that 87 former NFL players tested positive for chronic traumatic encephalopathy (CTE) out of the 91 deceased men researchers at Boston University autopsied. That’s almost 96%. Their study revealed that 79% of all players (professionally, semi-professionally, or college/high school athletes) examined had it—damning numbers not to be ignored and yet the NFL did for many, many years. How long and what exact details they denied, we may never know. Settlements are funny that way. It’s hardly surprising, with the…

Read More

REVIEW: Odd Thomas [2014]

“I may see dead people, but by God I do something about it” It’s August 14th in Pico Mundo, CA and the world is about to end. Well, not the world per se, but the community young Odd Thomas (Anton Yelchin) resides. Sort of. He sees ghosts of dead people with unfinished business, a gift passed down by his crazy mother wielded in secret from everyone besides Police Chief Porter (Willem Dafoe) and girlfriend Stormy (Addison Timlin). But while it allows him to help the tragic, helpless souls wandering around…

Read More

REVIEW: Larry Crowne [2011]

“Beaver Fever. Catch It!” I really like the poster. The sky blue with the alternating thick/thin sans serif font and the jarringly bright yellow, drawing your eye to it and down towards the pair of movie stars at bottom right. Julia Roberts looks ecstatic and Tom Hanks suavely cool on his scooter—this could be a gem of a film with some sophisticated style. Alas, though, it is not. After starting with the charming joke of a middle-aged man living and breathing his retail sales job, picking up the trash in…

Read More