Picking Winners at the 92nd Annual Academy Awards

The 92nd Annual Academy Awards hits airwaves Sunday, February 9th, 2020 at 8:00pm on ABC. For those handicapping at home, here are the guesses of Buffalo film fanatics Christopher Schobert, William Altreuter, and myself. Jared Mobarak: Let’s face it. The Oscars have been irrelevant from a creative standpoint since … probably forever. The whole thing is a marketing ploy to boost box office numbers and give trailer makers something to put next to names of creative. That’s why theaters re-release nominees. That’s why boutique studios hold wide rollouts until foreign…

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Online Film Critics Society Ballot 2019

Below is my December 26th ballot for the 23rd annual Online Film Critics Society Awards honoring movies released domestically in the United States during the 2019 calendar year. Each category is ordered according to my preferential rankings. Group winners were announced on January 6th, 2020 and are labeled in red.

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REVIEW: Little Women [2019]

Fight to the end and be loud. Despite letting its sordid content embarrass her to the point of pretending to be a writer friend’s messenger, Jo March (Saoirse Ronan) can’t hide the excitement of earning twenty dollars her family desperately needs for a story she composed. With one sister married to a husband of modest means (Emma Watson‘s Meg), another off in Europe with a wealthy suitor yet to propose (Florence Pugh‘s Amy), and a third sick in bed with fever (Eliza Scanlen‘s Beth), her New York City efforts to…

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REVIEW: Isle of Dogs [2018]

“You’ve heard the rumor, right?” I feel like the twee sensibilities of writer/director Wes Anderson might be catching up to him. Moonrise Kingdom was a sort of rejuvenation proving both exactly like his oeuvre and wholly unique as its child’s perspective lent a fresh voice to his usual brand of artificial melodrama. But rather than propel him forward, it seems it may have pulled him back. The auteur’s follow-up was the hilarious The Grand Budapest—perhaps his funniest tale to-date despite ringing hollow in a way that turned endearing artifice into…

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Picking Winners at the 90th Annual Academy Awards

The 90th Annual Academy Awards hits airwaves Sunday, March 4th, 2018 at 8:00pm on ABC. For those handicapping at home, here are the guesses of Buffalo film fanatics Christopher Schobert, William Altreuter, and myself. Jared Mobarak: This new look Academy is really starting to pay dividends. The fight for representation might have begun with a focus on the acting categories (there are four POC actors nominated this year out of twenty slots), but it’s expanded much further in a very short period of time. This 90th year of Oscar becomes…

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Online Film Critics Society Ballot 2017

Below is my December 24th ballot for the 21st annual Online Film Critics Society Awards honoring movies released domestically in the United States during the 2017 calendar year. Group winners are highlighted in red. (We were only allowed to vote for one nominee per category this year, but I ranked them all like previous years anyway.) Best Picture #1 Dunkirk #2 Call Me By Your Name #3 Three Billboards Outside Ebbing, Missouri #4 Get Out #5 The Shape of Water #6 The Florida Project #7 mother! #8 Lady Bird ABSTAIN…

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TIFF17 REVIEW: Lady Bird [2017]

“Love and attention” After a string of critical hits hinging upon her trademarked quirk as self-absorbed twenty-somethings trying to cut a path in life, Greta Gerwig has decided to transpose that template onto a tale of teenage angst with her directorial debut Lady Bird. The first step was finding a kindred spirit in Saoirse Ronan to wear that eccentric brand of character ticks and insecurities masked by inflated self-confidence with expert precision. I wouldn’t be surprised to learn Ronan researched the role by watching Frances Ha, Mistress America, et al…

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REVIEW: Jackie [2016]

“When something’s written down—does that make it true?” It’s rather intriguing how we feel we know our presidents. They represent us as a leader of the free world and we in turn love them enough to mourn their passing even when it’s decades after their run in the Oval Office ceased. But what is it that we really know? We only see what they allow. We see the aftermath of important moments—good and bad—but not the decisions themselves. Everything that we know without reading a book comes from what they’ve…

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REVIEW: 20th Century Women [2016]

“You wish you were crazy” There’s a lot to unpack in 20th Century Women, Mike Mills‘ look at lost souls adrift on paths towards happiness (if happiness even exists). For one he’s a man writing progressive feminists who in turn earnestly educate the two men in their lives how to be men. That alone takes you down corridors of psychological profundity that may actually be profound or simply a mask for the filmmaker’s own explanation that all men aren’t stereotypically single-minded. Because despite the title including the word “women,” this…

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REVIEW: Maggie’s Plan [2016]

“‘Like’ is a language condom. Trust me.” The character of John (Ethan Hawke) within Rebecca Miller‘s Maggie’s Plan is writing his first fiction novel not-so-loosely based upon his life—a loveless marriage with a bigger narcissist (Julianne Moore‘s Georgette) than he that’s up-ended by a hopeful affair with a control freak (Greta Gerwig‘s titular Maggie) just narcissistic enough to allow him to fully embrace his ego. This novel starts out promising. It’s stripped down, funny, and possesses a surrealist bent that tickles Maggie into falling in love. But after three years…

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REVIEW: Mistress America [2015]

“Five feet to the left and unhappy” I’ve considered myself a sociopath for a while now, but Noah Baumbach‘s Mistress America has confirmed it. Maybe this is why I have such a love hate relationship with the writer/director’s work—it’s full of them. I guess it’s the light in which the one I align myself with most is shone that determines my reaction. Or maybe it’s whether or not he makes a concerted effort to portray the film in which they’re depicted as purposefully satirical or authentic. But even then it’s…

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