REVIEW: Dark Places [2015]

“What do you want to be when you grow up?” If Gillian Flynn wasn’t the “It” author after the phenomenon that was Gone Girl the book, she surely was once David Fincher adapted it into a huge moneymaking win. What’s interesting, though, is that Gone Girl wasn’t the first of her novels to head into production cinematically. That honor goes to her sophomore effort Dark Places, which began shooting one month sooner in August 2013. Scripted and directed by Frenchman Gilles Paquet-Brenner, who last helmed the critically acclaimed Sarah’s Key,…

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The 87th Oscars recap through tweets …

I’m not sure why I keep filling myself with false hope that the Oscars will one day be an entertaining show to watch. The optimism is almost completely unfounded by this point. Whether they go weird (Anne Hathaway and James Franco), safe (Billy Crystal), hip (Seth MacFarlane), or try and steal another show’s success (Neil Patrick Harris), the result is the same. NPH should have been the shot of adrenaline the 87th Annual Academy Awards needed—a song and dance guy who’s young, fun, and funny. Sadly—and I do blame the…

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Picking Winners at the 87th Annual Academy Awards

Things look pretty cut and dry where the Academy is concerned in 2015. The Oscars are always a somewhat watered-down look at what really mattered in the past year of cinema and this installment is no exception. In fact, it may be all water at this point. That doesn’t mean there can’t be some intriguing surprises in the second-tier categories like Best Animated Feature (I really hope How to Train Your Dragon 2 loses to one of the other much more aesthetically and conceptually unique nominees) or Short Film Animated…

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Posterized Propaganda January 2015: The Top 10 Movie Posters of 2014

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column (with a special year-end retrospective today) focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. I usually find myself needing to whittle down a list of around twenty posters to the fifteen showcased below. For 2014, however, my list…

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REVIEW: Gone Girl [2014]

“Everything else is background noise” Director David Fincher‘s Gone Girl falls prey to the one thing that often prevents me from truly loving a cinematic adaptation of a novel—unquestionable faithfulness. Gillian Flynn does a wonderful job distilling her pulpy thriller into a fast-paced 149 minutes and Fincher stays true to the back and forth vantage points of Act One between Nick Dunne’s (Ben Affleck) precarious circumstances and the diary of his wife who has disappeared (Rosamund Pike‘s Amy) before all hell breaks loose. It’s perfectly reformed with enough visual detail…

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Posterized Propaganda October 2014: ‘Gone Girl,’ ‘Nightcrawler,’ ‘Whiplash,’ and More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. Say goodbye to summer. Tent pole season is over and the critical darlings have begun to pop up on the Fandango queue. October is still a weird month, however, since…

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NYAFF14 REVIEW: 白ゆき姫殺人事件 [Shirayuki hime Satsujin Jiken] [The Snow White Murder Case] [2014]

“She’s just that kind of person” Based on a 2012 novel written by Kanae Minato, 白ゆき姫殺人事件 [Shirayuki hime Satsujin Jiken] [The Snow White Murder Case] is very much a product of our time. A satirical take on the Twitter age that also to a point provides a compelling murder mystery reminiscent of Gillian Flynn‘s Gone Girl, the story’s as much a social critique as it is dramatic fiction. Our world is currently ruled by attention deficit to the point where journalistic integrity has been usurped by the necessity for click…

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