REVIEW: Godzilla: King of the Monsters [2019]

This will not bring him back to us. Here’s the thing. Godzilla vs. Kong was announced way back in 2015—a year after Godzilla released and two before Kong: Skull Island. Warner Bros. wasn’t taking their time rolling out the MonsterVerse and thus guaranteed we knew the big bad reptile and big bad mammal would eventually square off. So with a writers’ room formed in 2016 to get everyone on the same page as far as how and why that titanic fight would manifest, Godzilla: King of the Monsters was always…

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REVIEW: Kong: Skull Island [2017]

“Eating’s for the living” It’s amazing how a film’s success can create a tidal wave, but that’s exactly what Gareth Edwards‘ Godzilla did in 2014. We’re talking critical acclaim, half a billion dollars at the box office, and a rejuvenated plea for monster flicks. Well the first two are fact, the third merely hope on behalf of Legendary Pictures. Because their investment isn’t just sequels, it’s about a “MonsterVerse” so important to them that they got Universal Pictures to give Kong: Skull Island‘s rights to Warner Bros. so a single…

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REVIEW: Rogue One: A Star Wars Story [2016]

“Rebellions are built on hope” George Lucas used to say years ago that the original Star Wars trilogy was but three chapters of an epic nine-part saga. It dealt with the Skywalker family, beginning in the middle to introduce a passing of the “Force” from father to son. Lucas would eventually make the first three chapters as a prequel series used to tell the tale of Anakin Skywalker’s descent towards the Dark Side for exposition into the stunning reveal his becoming Luke and Leia’s formidable foe in A New Hope…

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Summer Fun Film Festivals in WNY

With the dwindling numbers of drive-in theaters across the country, independent theaters finding it difficult to compete with huge chains, and the ever-fluctuating national box office needing too many 3D films to turn a profit, certain cities somehow find a way to keep the medium alive. Buffalo is one of them and always has been since I can remember. My days as a high schooler trying to figure out plans with friends for the weekend always ended up being decided between catch the latest blockbuster or hit up the local…

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REVIEW: Godzilla [2014]

“Let them fight” The reason Gareth Edwards‘ rebooted Godzilla proves so effective is that it retains the thematic essence of its 1954 ancestor, Gojira. Still an over-arching metaphor for mankind’s hubris and wont to destroy everything it doesn’t understand out of fear, Dave Callaham, Max Borenstein, and multiple script doctors simply found ways to alter the DNA so it could be relevant for an American demographic rather than Japanese. I’ll be honest: we aren’t a country that enjoys watching foreign lands painted as the victim while we look on with…

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REVIEW: ゴジラ [Gojira] [Godzilla] [1954]

“I’m telling you the sea just exploded” Only nine years after the devastation of Hiroshima and Nagasaki by the atomic bomb, the first science fiction kaiju film was born. Manifested as a hybrid Tyrannosaurus Rex, Iguanodon, and Stegosaurus, the creature ゴジラ [Gojira] [Godzilla] took shape in the mind of special effects designer Eiji Tsuburaya. A giant beast released from the sea’s depth due to hydrogen bomb tests destroying its natural habitat, its ability to survive on land and water shaped its name from the words gorilla (gorira) and whale (kujira).…

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Posterized Propaganda May 2014: ‘Godzilla’, ‘Amazing Spider-Man 2′, ‘Maleficent’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. Is it officially Summer yet? Blockbuster poster campaigns for Spidey, Magneto, Godzilla, and Seth MacFarlane would lean towards yes. Buy your popcorn and candy now because we’ve got computer generated…

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REVIEW: Pacific Rim [2013]

“She’s starting to chase the rabbit” After watching two spec scripts get sold and ultimately fall through, Clash of the Titans scribe Travis Beacham finally breaks into Hollywood with an original vision in Pacific Rim. A futuristic look at our world on the cusp of annihilation by the claws of an alien species entering our realm via a wormhole over an underwater rift in our Earth’s crust, his tale is as close to a live action anime as we’re likely to get—complete with kaiju and mecha warriors fighting to rule…

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REVIEW: Hot Fuzz [2007]

“Decaffeinated?” Simon Pegg and Edgar Wright are back, with a vengeance. Their send up to all those action films—as they say containing names picked at random from two hats, one of verbs, the other of adjectives—is a fantastic melding of British humor, preposterous action sequences, gruesome horror, and a bit of romantic comedy thrown in for good measure. But then, what action flick doesn’t have a little bit of romantic chemistry between its two macho lead actors? As with Shaun of the Dead, Hot Fuzz is not a spoof playing…

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