TIFF19 REVIEW: Pelikanblut [Pelican Blood] [2020]

“I’m the lucky one” Writer/director Katrin Gebbe is not messing around with her latest film Pelikanblut [Pelican Blood]. What starts as a psychological drama about a mother desperate to provide her new daughter the love necessary to free her from the demons of a traumatic past gradually escalates into a supernatural thriller augmenting what science […]

TIFF19 REVIEW: Nobadi [2019]

“Stop calling me bloody master!” Heinrich Senft (Heinz Trixner) is alone on his little patch of land within a gated senior citizen community, his pension sustaining ready-made meals and the care for his dog Argus. When the latter passes away suddenly in the night, Heinrich has nowhere to project his grief but the veterinarian who […]

TIFF19 REVIEW: Heimat ist ein Raum aus Zeit [Heimat is a Space in Time] [2019]

“Beauty is nothing but the beginning of terror” How much of our ancestry is tied to the history of the places we call home? While some of us would probably answer “None,” we’d be wrong. Just because your family tree was lucky enough to exist on the periphery of major historical moments as bystanders doesn’t […]

REVIEW: Hagazussa [2018]

“We don’t have to be afraid here” What creates a witch? An evil that takes hold of willing vessels yearning to do his/her demonic master’s bidding or a populace’s mass fear that turns mankind’s own evil against those who are different than them and therefore a threat to the status quo? If you’re a believer […]

REVIEW: Die Unsichtbaren [The Invisibles] [2019]

“After a little while you noticed that they were scared” We’re so used to stories of Holocaust survivors talking about what they endured inside the concentration camps that we forget around seven thousand Jewish men and women stayed hidden during World War II. While only about fifteen hundred ultimately walked away to live their lives […]

REVIEW: Werk ohne Autor [Never Look Away] [2018]

“Everything that’s true is beautiful” The thing that people who didn’t attend art school or don’t have a foundation in art history never understand is the reasoning behind postmodern art. They find it funny to reductively joke about how their three-year old child could net them a million dollars by scribbling on a canvas because […]

TIFF18 REVIEW: Das schönste Paar [The Most Beautiful Couple] [2018]

“Stay cool. Okay?” It starts with a rape. I won’t lie: I sighed thinking Sven Taddicken‘s Das schönste Paar [The Most Beautiful Couple] was going to end up another drama about coping and retribution like most others wherein Liv (Luise Heyer) struggles as Malte (Maximilian Brückner) protects. So it was a welcome surprise when we’re […]

TIFF18 REVIEW: Endzeit [Endzeit – Ever After] [2018]

“Go out and bury what haunts you” What if humanity’s apocalypse wasn’t the world’s end? We’ve become so used to treating ourselves as rulers of this planet despite knowing so little about it and the surrounding universe while also doing our best to destroy everything we touch. So what are we truly besides another in […]

REVIEW: Western [2017]

“What are you searching for here?” When a group of Germans enter rural Bulgaria on an assignment to divert water towards a new power plant, those unversed in the area and its history wouldn’t think too much about it. Those like me would assume whatever conflict at this story’s back would arise from differing languages […]

FANTASIA18 REVIEW: Blue My Mind [2018]

“I’m wasting my youth on trains” Adolescence is a metamorphosis from youth to adulthood—a time defined by its constant state of flux physically, emotionally, and psychologically. Puberty is the backbone to this period because of the changes it inflicts. It alters our hormones and appearance while also providing a moment with which to be reborn. […]

REVIEW: Lou Andreas-Salomé, The Audacity to be Free [2016]

“Become who you are” There’s a great line spoken by an aged Lou Andreas-Salomé (Nicole Heesters) to new friend and potential biographer Ernst Pfeiffer (Matthias Lier) upon his praise-fueled declaration that the way she lived her life—her freedom—was a touchstone for modern feminism. Her reply is, “Nonsense. What’s changed for us women since then?” It’s […]