REVIEW: 1917 [2019]

“It’s easier not to go back at all” While it appeared the Germans retreated, they were really just gathering their strength at the easier-to-defend Hindenburg Line as part of Operation Alberich in northern France. With British forces fooled and following closely behind to mount what they believed would be an offensive, their opponents were primed […]

REVIEW: Ophelia [2019]

“Why do the hens peck at you?” A lover distraught and driven to madness after her father’s murder at the hand of the man she loves, himself destined to die by order of his uncle: Denmark’s unjust and power-hungry king. This is Ophelia’s fate within William Shakespeare’s Hamlet, a woman used to mourn and incite […]

TIFF18 REVIEW: Where Hands Touch [2018]

“I want her to be like everyone else: unremarkable” Now is not the time to make a film romanticizing Nazism or allowing anyone who donned the swastika during World War II a modicum of sympathy. I’d argue there could never be such a time—at least not for those who say they felt bad but still […]

REVIEW: Captain Fantastic [2016]

“Your mother is dead” When you look at the poster for Captain Fantastic—especially the bright red suit worn by Cash family patriarch Ben (Viggo Mortensen)—you can’t help conjure twee thoughts of Wes Anderson quirk and yet Matt Ross‘ sophomore feature is anything but. This film is instead rooted in a very strong sense of reality. […]

REVIEW: Pride [2014]

“Oh good. I haven’t spoken 1950s in ages.” If you’re going to make a film with a sprawling ensemble of characters equally unique and important to the point where your only true lead is a message of solidarity and comradery itself, it’s a good move to look towards the theater. Pride is the screenwriting debut […]