The 90th Oscars recap through tweets …

If you thought this year’s Oscars were going to do something crazy or exciting, you haven’t been paying attention. Between the envelope-gate incident of 2017 and the fact that this was a “multiple of ten” anniversary, the 90th Annual Academy Awards was going to do everything it could to right the ship and ensure nothing […]

Picking Winners at the 90th Annual Academy Awards

The 90th Annual Academy Awards hits airwaves Sunday, March 4th, 2018 at 8:00pm on ABC. For those handicapping at home, here are the guesses of Buffalo film fanatics Christopher Schobert, William Altreuter, and myself. Jared Mobarak: This new look Academy is really starting to pay dividends. The fight for representation might have begun with a […]

Online Film Critics Society Ballot 2017

Below is my December 24th ballot for the 21st annual Online Film Critics Society Awards honoring movies released domestically in the United States during the 2017 calendar year. Group winners are highlighted in red. (We were only allowed to vote for one nominee per category this year, but I ranked them all like previous years […]

REVIEW: Darkest Hour [2017]

“It’s not a gift. It’s revenge.” Did you know Winston Churchill was given the Prime Minister position during World War II as a means to appease the opposition party before quickly removing him (once he failed like he always did) for the Conservatives’ actual choice to replace Neville Chamberlain? It’s quite the bit of intrigue […]

REVIEW: The Space Between Us [2017]

“Just add water” It’s difficult not to think about The Martian when it comes to new film The Space Between Us. Both center around a human stranded on Mars—albeit in drastically different circumstances—and both attempt to exist in a “real world” despite our actual ability for interplanetary travel being non-existent. What made the former’s science […]

REVIEW: Dawn of the Planet of the Apes [2014]

“Ape no kill ape” The hype is spot-on with Dawn of the Planet of the Apes. A more focused film than Rise of the Planet of the Apes—which served as an emotive origin tale possessing little unique conflict beyond a fight scene showing off computer effects more than propelling storyline—you should still acknowledge that predecessor […]

REVIEW: Lawless [2012]

“You still have the price tag on your coat” After The Proposition‘s grit and The Road‘s nightmarish post-apocalyptic vision, watching the trailer for John Hillcoat‘s newest film Lawless left a little something to be desired. Looking like an action flick about bootleggers standing against the law in a blaze of glory, all nuance from its […]

REVIEW: The Dark Knight Rises [2012]

“Sometimes the pit sends something back” **Potential thematic spoilers** The trailer for the aptly coined ‘epic’ conclusion to director Christopher Nolan‘s caped crusader trilogy—The Dark Knight Rises—says it all through an emotional exchange between Batman (Christian Bale) and Catwoman (Anne Hathaway). Lamenting in her trademarked selfishness that he doesn’t “owe these people any more” and […]

Picking Winners at the 84th Annual Academy Awards

For the next week and a half, Spree contributor William C. Altreuter, our online film reviewer Jared Mobarak, and me will share our thoughts on who will take home the Oscars. Let’s kick things off with … Best Supporting Actress. —C. S. BEST SUPPORTING ACTRESS: Bérénice Bejo – The Artist as Peppy Miller Jessica Chastain – […]

REVIEW: Tinker Tailor Soldier Spy [2011]

“Smiley leaves with me” When I first heard about Tinker Tailor Soldier Spy I didn’t think it had a chance of living up to my expectations. It possessed an all-star cast, was director Tomas Alfredson‘s English-language follow-up to the brilliant Let the Right One In, and was adapted from an espionage thriller by John le […]

Posterized Propaganda December 2011: Numbers and Faces

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill […]