REVIEW: The Edge of Seventeen [2016]

“You should look out for run-on sentences” If you ever wondered what a John Hughes movie would look like without the cutesy cliché and overblown 1980s caricatured comedic appeal, Kelly Fremon Craig‘s The Edge of Seventeen is it. So don’t treat the talk about it being a “twenty-first century Hughes” film as hyperbole or a slight because the shoe fits its depiction of angst-fueled, hilarious embarrassment. What it lacks is the need to feed into stereotype, sentiment, and melodrama that weigh reality down into fairy tale. This is the life…

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TIFF14 REVIEW: Adult Beginners [2015]

“What? Never seen a kid in a suitcase before?” No one is ever going to say Ross Katz‘s Adult Beginners is original. The opening implosion for Jake’s (Nick Kroll) multi-million dollar investment project was done in Elizabethtown, his frightened guilt in not being there when his mother died of cancer is Garden State, and the estranged sibling relationship between he and sister Justine (Rose Byrne) is a trope used countless times each year. It’s a comedy about familial struggle with a bunch of adult “children” trying to find a balance…

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REVIEW: Wish I Was Here [2014]

“You’re going to have sex with the swear jar?” It’s impossible to talk about Zach Braff‘s Wish I Was Here without first addressing the elephant in the room: Kickstarter. Whether you’re against his method of crowdsourcing because you believe a celebrity of his stature shouldn’t need extra funding to finance a film or steadfast in the true notion that his fandom actually brought new members to the website who subsequently spent money on other projects, the backstory will play a role in your perception of the finished work. As a…

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REVIEW: Garden State [2004]

“I’ll take a hug” Sometimes a movie comes along at the perfect time. Maybe it’s a story you can relate to, a work firing on all cylinders aesthetically, or something that pulls you into its emotionality and refuses to let go. Garden State was that film for twenty-two year old, college graduate me embracing my first job in the field I hoped to one day call my career. As a working graphic designer my palette for the arts was exponentially expanding through cinema and music in ways it never had…

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Posterized Propaganda April 2014: ‘Captain America: Winter Soldier’, ‘Under the Skin’, ‘Transcendence’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. April has a lot of movies coming out stateside and so many have decided to sell themselves on their star. Dom Hemingway (limited April 2) (poster), Alan Partridge (limited April…

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Posterized Propaganda September 2011: Misfires countered by fearlessness

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact that impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. September is the start of the film festival season. Unsurprisingly, while Toronto, Venice, and New York debut the flicks we’ve been waiting all year to see, the box office…

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REVIEW: Happythankyoumoreplease [2011]

“Who says Santa’s pants have to be red?!” It only took about halfway through Happythankyoumoreplease before I began to think about the one thing I probably should have latched onto from the start. The comparisons between this and 2004’s Garden State are unmistakable. And it’s not just the obvious—or what should be obvious if my brain had been working—that each starred and was written and directed by the star of a hit television sitcom, it’s also the sense of heart behind every single moment, the off-kilter eccentricity of certain characters…

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Top 50 Films of the Decade (2000–2009)

As always, I have not seen every film made in the decade, so this list is only complete as of posting. There are those diamonds in the rough I’ve yet to witness that could render this entire list obsolete. The ‘Naughts’, I believe an appropriate term being used for the decade spanning from 2000–2009, the years we feared wouldn’t come thanks to Y2K, brought with them some amazing films. Technological advancements aside, this time period contained a number of singular auteurs both continuing on already stellar careers and others beginning…

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REVIEW: (500) Days of Summer [2009]

“I think you know what I need” This is a story of boy meets girl and it most definitely is not a love story … in the strictest sense of the word at least. Love is a major factor in (500) Days of Summer; just not in the way you may anticipate, thinking the film a romantic comedy. Instead, the tale shows us how love, or the lack therefore, can effect two young souls, lost and alone in the world. When Tom meets Summer his life is turned around to…

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REVIEW: The Sweet Hereafter [1997]

“Wiggle your noses and have fun” **spoilers** How much money is your child worth? Is that a question you could ever fathom yourself asking? Atom Egoyan’s The Sweet Hereafter broaches the subject with devastating results, showing the many ways in which one could lose their offspring and the pain and suffering it causes. But can that pain be tempered by a monetary settlement or a name being punished with a slap on the wrist? No, of course not. Vengeance will only feed your lust for blood; it will only make…

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REVIEW: Running with Scissors [2006]

“Hug back” The trailers for this adaptation of Augusten Burroughs’ memoirs, Running with Scissors, looked like an offbeat, quirky comedy. I had heard good things about the novel and the cast looked amazing. However, I am very happy I didn’t spend the money to see it in theatres. This film ended up being a sprawling series of uncomfortable events with no real narrative thread to be building towards a satisfying conclusion. If Burroughs himself came up to me and said just half of this film actually happened to him, I…

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