REVIEW: Doubles vies [Non-Fiction] [2019]

“An infinite minority” You know when you go to a get-together and the conversation inevitably turns to current affairs for which everyone has a fringe understanding? So rather than provide true opinions, they simply start regurgitating what they’ve read on the subject. Most times their content doesn’t even come from a primary source because we’ve […]

REVIEW: Climax [2018]

“Anything” What would you do for the chance to work with the illustrious choreographer Selva (Sofia Boutella) and her DJ Daddy (Kiddy Smile)? According to the group of young dancers they interviewed: “Anything.” Some are coy when asking for context to the question with a smile and others are quick to pretty much say they’d […]

REVIEW: Fauve [2018]

“First one to laugh is dead” Youthful thoughts of immortality have a way of getting children into trouble as well as teaching them lessons able to scar them for life. For Tyler (Félix Grenier) and Benjamin (Alexandre Perreault) it’s a seemingly innocent game of one-upmanship wherein an indefinable state of superiority earns each a point […]

REVIEW: Marguerite [2017]

“I won’t live forever, you know” Stereotyping is proven real when an elderly Marguerite (Béatrice Picard) asks her nurse Rachel (Sandrine Bisson) if the person she was talking to on the phone was her boyfriend only to hear, “My girlfriend” instead. The woman’s face drops in surprise with an, “Oh” before finding a smile and […]

TIFF REVIEW: Duelles [Mothers’ Instinct] [2019]

“Forgive me” Director Olivier Masset-Depasse lets us know exactly what to expect out of Duelles [Mothers’ Instinct] from the start, introducing an idyllic bourgeois home with all the sensory cues to foreshadow melodramatic suspense. Alice Brunelle (Veerle Baetens) peers out her window as neighbor Céline Geniot (Anne Coesens) leaves, rushing out once the car pulls […]

TIFF REVIEW: Les filles du soleil [Girls of the Sun] [2018]

“Women, life, liberty” It’s just like America to document ISIS as a fight we must combat—like the saviors we are. There’s a reason for this from our perspective, but our jingoistic thought process does detract from what’s occurring on the ground. People are engaged in a war that they have no way to avoid. They’ve […]

TIFF18 REVIEW: Jessica Forever [2018]

“Why wouldn’t you come with us?” Redemption is a tricky concept. Can you be redeemed without forgiveness from those you wronged? Are our actions in the aftermath enough to achieve some semblance of peace if they show we’ve learned through remorse? Everyone has a different opinion on the matter whether victim, loved one, stranger, or […]

TIFF18 REVIEW: Les salopes ou le sucre naturel de la peau [Les Salopes or the Naturally Wanton Pleasure of Skin] [2018]

“In the end there are only human experiments” Can skin tell the difference between love and desire? It’s an intriguing question Marie-Claire (Brigitte Poupart) can’t help but want to answer as a dermatology professor and lover of sex if only to supply a reprieve from the usual carcinoma studies her doctorate students tediously gravitate towards. […]

TIFF18 REVIEW: Un ange [Angel] [2018]

“I’d rather consider myself a gazelle” Two lost souls struggling to reconcile their image meet in Senegal by chance. One’s a prostitute—although she rejects the label and the registration card that’s as much a means to procure wealthy clients as a permanent brand upon her skin. The other is a world famous cyclist just recovered […]

REVIEW: Irma Vep [1996]

“Have you sex with girls?” If you’re going to poke fun at the film industry, you might as well go for broke. Take Olivier Assayas‘ Irma Vep for example. Hot off the success of his acclaimed Cold Water, he was recruited for a project about foreigners in Paris with Claire Denis and Atom Egoyan. When […]

REVIEW: L’eau froide [Cold Water] [1994]

“Extravagant maneuvers” Originally envisioned as a 52-minute chapter of a television anthology series with strict thematic and contextual rules, Olivier Assayas‘ L’eau froide [Cold Water] eventually found itself as the much sought-after 90-minute Cannes debut that cemented the auteur’s style, acclaim, and promise without ever reaching American shores due to lapsed music rights. He would […]