REVIEW: Isle of Dogs [2018]

“You’ve heard the rumor, right?” I feel like the twee sensibilities of writer/director Wes Anderson might be catching up to him. Moonrise Kingdom was a sort of rejuvenation proving both exactly like his oeuvre and wholly unique as its child’s perspective lent a fresh voice to his usual brand of artificial melodrama. But rather than […]

The 90th Oscars recap through tweets …

If you thought this year’s Oscars were going to do something crazy or exciting, you haven’t been paying attention. Between the envelope-gate incident of 2017 and the fact that this was a “multiple of ten” anniversary, the 90th Annual Academy Awards was going to do everything it could to right the ship and ensure nothing […]

Picking Winners at the 90th Annual Academy Awards

The 90th Annual Academy Awards hits airwaves Sunday, March 4th, 2018 at 8:00pm on ABC. For those handicapping at home, here are the guesses of Buffalo film fanatics Christopher Schobert, William Altreuter, and myself. Jared Mobarak: This new look Academy is really starting to pay dividends. The fight for representation might have begun with a […]

Online Film Critics Society Ballot 2017

Below is my December 24th ballot for the 21st annual Online Film Critics Society Awards honoring movies released domestically in the United States during the 2017 calendar year. Group winners are highlighted in red. (We were only allowed to vote for one nominee per category this year, but I ranked them all like previous years […]

REVIEW: Three Billboards Outside Ebbing, Missouri [2017]

“It’s hard to know what to do” It’s no coincidence that the dumbest character in Martin McDonagh‘s Three Billboards Outside Ebbing, Missouri says the most revealing line of dialogue throughout the entire film: “Anger begets more anger.” I guess it’s because Penelope (Samara Weaving) isn’t dumb as much as she’s naïvely innocent and young. She’s […]

REVIEW: Hail, Caesar! [2016]

“It’s all in the hips, the lips, the eyes, and the thighs” You don’t think much when you read the Coen Brothers have been bouncing Hail, Caesar! around since 2004. After all, they’re prolific auteurs that often write scripts for other directors, so a decade-long gestation period is nothing to scoff at. Only when you […]

REVIEW: The Good Dinosaur [2015]

“Look who got relevated” You constantly hear about movies needing reshoots, but The Good Dinosaur‘s troubles went beyond cosmetic enhancements into full-blown emergency room triage. I’m talking two years of development before a release date announcement, two more before that date and original director Bob Peterson (who came up with the story alongside his directorial […]

REVIEW: Moonrise Kingdom [2012]

“He left me a letter of resignation” Five years removed from his last foray into live action filmmaking—although Fantastic Mr. Fox is much more akin to his sensibilities than a normal animated children’s movie should be—writer/director Wes Anderson returns with what could be his most storybook piece yet. So far removed from our reality, Moonrise […]

REVIEW: Madagascar 3: Europe’s Most Wanted [2012]

“I’m like a candy cane in a black and white movie” A round of applause for directors Eric Darnell and Tom McGrath—and Conrad Vernon who joins them to expand on his responsibilities playing Mason the monkey—because they have kind of accomplished the impossible with Madagascar 3: Europe’s Most Wanted. I was surprised at how much […]

REVIEW: Transformers: Dark of the Moon [2011]

“You all read ‘Humpty Dumpty’” When Transformers came out in 2007, it was all the rage. Nostalgia, explosions, over-the-top summer blockbuster laughs, and even a smidgeon of heart were thrown into Michael Bay’s ultimate orgasm of action, sex, and metal. It was fun despite its corniness and therefore left a desire for a sequel, one […]

REVIEW: Blood Simple. [1984]

“I ain’t done nothin’ funny” It took Fargo—thirteen years later—for the Coen Brothers to finally get recognition at the Oscars with three nominations culminating in a win for Best Screenplay. Then it was another eleven before their first Best Picture win. And if you look at that victory with No Country for Old Men alongside […]