TIFF19 REVIEW: Tammy’s Always Dying [2019]

“I just want to play the game” You have to give credit to any story that allows its despicable characters to be despicable without also demanding forgiveness from their victim. This is especially true in tales concerning a parent and child considering society seems to crave this ideal that the former is due some benefit […]

REVIEW: The Spanish Prisoner [1998]

“Dog my cats” Anyone who’s on social media has seen the “name” memes where your “whatever name” is formed by that of the first pet you owned and your grandmother’s maiden name—or some riff on this pattern. Everyone does it because it’s fun and they’ve been trained like sheep to participate in such activities so […]

INTERVIEW: Jalmari Helander, writer/director of Big Game

After finding success from his debut feature Rare Exports: A Christmas Tale—an expansion of a world he created through two previous shorts all released together by Oscilloscope—Finnish writer/director Jalmari Helander did what many European filmmakers do and went English-language for his sophomore effort. But he did so on his terms by once again writing his […]

REVIEW: Cake [2014]

“Forgive me” It may not be the best film utilizing its melancholic subject matter, but Cake is not as bad as the critical sphere appears to want us to believe. The credit for this goes to screenwriter Patrick Tobin for distilling his character’s grief, depression, and malaise into a precisely calculated 102-minute rebirth. We receive […]