REVIEW: The Librarian: Quest for the Spear [2004]

“I should’ve known he was evil. He gave me an A-minus.” With my exposure to Noah Wyle being limited to his role in “Falling Skies”, I can’t necessarily be blamed for assuming his character in The Librarian: Quest for the Spear would be a similar Tom Mason type. After all, both men prove to be an intellectual thrust into perilous situations and leadership positions they never would have original thought they’d be in. And by the look of the poster, Flynn Carsen is quite obviously an Indiana Jones for the…

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FANTASIA14 REVIEW: Ejecta [2014]

“Something came to me” Many might take my comparing Ejecta to The Fourth Kind as a slight, but I actually enjoy that film a lot. While Chad Archibald and Matt Wiele‘s science fiction horror doesn’t pretend it’s real, the crosscutting between time and styles similarly keeps us off-balance enough to buy into the escalating danger onscreen. We’re shown straight away that a government or privatized military agency has captured William Cassidy/Spider Nevi (Julian Richings) in the woods through night vision goggles and yet this convergence is the mid-point of the…

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REVIEW: Blackbird [2013]

“Appearance is everything” Co-winner of the award for Best Canadian First Feature Film at the Toronto International Film Festival, Jason Buxton’s debut Blackbird peers into the sort of guilty until proven innocent mentality our world has gravitated towards after a slew of school shootings post-Columbine. Such an atrocity used to be a nightmare we would never believe could happen in our neighborhoods or with our kids and now it’s become so common that each new media report numbs us to the horror and makes such events almost appear normal. So,…

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TIFF12 REVIEW: 2012 Short Cuts Canada Programmes

Programme 1 “So a TV killed your father” What do you get when you mix the Tibetan Book of the Dead, the ancient metallurgical science of alchemy, and the namesake of inventor Philo Farnsworth? The answer is Connor Gaston‘s short film Bardo Light—titled for the bright glow none of us can avoid at the end of our lives. Told via the police interrogation of the younger Farnsworth (Shaan Rahman) after his adopted father (Bill Gaston) was found suffocated to death in their cabin, we quickly learn of successful experiments using…

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