Tag: Eskil Vogt

REVIEW: De uskyldige [The Innocents] [2021]

Jared Mobarak

Can I just listen? You’ve seen De uskyldige [The Innocents] before. Whether the telekinetic powers, battle between good and evil, or exploitation of neurodevelopmental disorders like Autism to supply a character a sense of power that contrasts preconceived prejudices, everything Eskil Vogt puts into his script is familiar in some way. What makes it so uniquely different in tone and expectation is therefore the choice to project those tropes onto children. His decision becomes an evolutionary progression forward from Max Landis and Josh Trank‘s Chronicle in that the sort of…

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REVIEW: Verdens verste menneske [The Worst Person in the World] [2021]

Jared Mobarak

No safety net. No holding back. Writer/director Joachim Trier and co-writer Eskil Vogt complete their thematic “Oslo trilogy” with Verdens verste menneske [The Worst Person in the World], a film told in twelve chapters, a prologue, and an epilogue. What’s intriguing, however, is that it actually begins with a glimpse of Julie (Renate Reinsve) from the middle. Before traveling back to watch her overachieving university student change majors every time something shinier and new comes along, we see her smoking a cigarette in a black dress, gazing off into the…

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REVIEW: Thelma [2017]

Jared Mobarak

Jesus Satan. The moment you leave home for college is the moment your parents say, “Have fun, but don’t lose who you are in the process.” It’s a worthwhile sentiment that we often take for granted as an implicit notion that we are who we will remain despite embarking on a journey full of unknown responsibilities, freedoms, and dangers. How can we truly know our identity when we’ve yet to cultivate one on our own? How much of that “who you are” is actually “who we want you to be”…

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REVIEW: Louder Than Bombs [2015]

Jared Mobarak

“After this I’ll slow down. I promise.” Few depict love’s pain onscreen better than Norwegian writer/director Joachim Trier and co-writer Eskil Vogt. They’ve cultivated a distinct voice for character-driven dramas of friendship and romance that build and dissolve with an authentic rhythm of life’s unpredictability. Their characters ache inside and out as they deal with the struggle of human connection and their English-language debut Louder Than Bombs is no different. In it are three men traversing a world removed from the life they led with a matriarch no longer by…

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TIFF11 REVIEW: Oslo, 31. August [Oslo, August 31st] [2011]

Jared Mobarak

“I want you to understand” Memory and nostalgia—these are the things Joachim Trier sought when creating his dark, hopeful, and depressing love letter to his hometown. Rather than use that word, however, he made a point in his Q&A at the Toronto International Film Festival to call it the place he was born. Every city in the world is remembered by its citizens and ex-pats, they reminiscence about good times, how they felt, or how they miss it. The opening to Oslo, 31. august [Oslo, August 31st] is a collection…

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