REVIEW: Thelma [2017]

Jesus Satan. The moment you leave home for college is the moment your parents say, “Have fun, but don’t lose who you are in the process.” It’s a worthwhile sentiment that we often take for granted as an implicit notion that we are who we will remain despite embarking on a journey full of unknown responsibilities, freedoms, and dangers. How can we truly know our identity when we’ve yet to cultivate one on our own? How much of that “who you are” is actually “who we want you to be”…

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REVIEW: Louder Than Bombs [2015]

“After this I’ll slow down. I promise.” Few depict love’s pain onscreen better than Norwegian writer/director Joachim Trier and co-writer Eskil Vogt. They’ve cultivated a distinct voice for character-driven dramas of friendship and romance that build and dissolve with an authentic rhythm of life’s unpredictability. Their characters ache inside and out as they deal with the struggle of human connection and their English-language debut Louder Than Bombs is no different. In it are three men traversing a world removed from the life they led with a matriarch no longer by…

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TIFF11 REVIEW: Oslo, 31. August [Oslo, August 31st] [2011]

“I want you to understand” Memory and nostalgia—these are the things Joachim Trier sought when creating his dark, hopeful, and depressing love letter to his hometown. Rather than use that word, however, he made a point in his Q&A at the Toronto International Film Festival to call it the place he was born. Every city in the world is remembered by its citizens and ex-pats, they reminiscence about good times, how they felt, or how they miss it. The opening to Oslo, 31. august [Oslo, August 31st] is a collection…

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