TIFF17 REVIEW: Le sens de la fête [C’est la vie!] [2017]

“Can you repeat the options?” I went into Olivier Nakache and Eric Toledano‘s latest film Le sens de la fête [C’est la vie!] knowing nothing about it. My assumption from their two previous works Intouchables and Samba was that it would prove a charmingly funny dramedy tinged with relevant politics and racial complexity. Boy was I wrong. Whereas the latter film honed in on the former’s politics, this one strips them away completely to focus solely on the comedy. The result is an uproarious contemporary riff on Robert Altman‘s underrated…

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INTERVIEW: Olivier Nakache, cowriter/codirector of Samba

Olivier Nakache and Eric Toledano‘s (shown above at middle and right with Omar Sy) Intouchables was France’s Oscar hopeful in 2012 and did make the January shortlist. An infectious crowd-pleaser based on a true story, it vaulted Sy into stardom with a César win over The Artist‘s Jean Dujardin and ultimately co-staring roles in Hollywood blockbusters X-Men: Days of Future Past and Jurassic World. It most likely also opened a floodgate of offers for the duo at the helm, but these Frenchmen aren’t interested in bringing someone else’s vision to…

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TIFF14 REVIEW: Samba [2014]

“Red paper. Then … no more.” Every movie should have a score by Ludovico Einaudi and it’s comforting to see Olivier Nakache and Eric Toledano agree. After using his haunting music on the brilliant Intouchables, the duo take a few tracks from his album In a Time Lapse to enhance their latest work Samba. Another drama dealing with serious issues oftentimes handled melodramatically by Hollywood, they find a way to infuse each character’s hardship with a delightfully comic streak. The formula is similar to that Oscar nominee with its two…

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REVIEW: Intouchables [The Intouchables] [2011]

“We’ll escort you. It’s safer.” Leave it to my Americanized way of looking at things to go into the César Award-nominated French film Intouchables [The Intouchables] by thinking it would be yet another run-of-the-mill rich white guy helping poor black guy tale. With a Hollywood remake already in the works, I see our adaptation falling into such tropes by increasing hostility as lead character Driss turns into a punk who falls prey to outside preconceptions and lets his employer down before redeeming himself. But Olivier Nakache and Eric Toledano‘s film…

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Top 25 Films of 2011

(short and sweet and to the point; culled from watching 150 releases. constantly updated as i catch up to those i missed. click poster for review if applicable) #25: Win Win directed by Thomas McCarthy #24: The Adjustment Bureau directed by George Nolfi #23: Super 8 directed by J.J. Abrams #22: Source Code directed by Duncan Jones #21: Weekend directed by Andrew Haigh #20: The Interrupters directed by Steve James #19: Contagion directed by Steven Soderbergh. #18: Senna directed by Asif Kapadia. #17: Santiago 73, post mortem[Post Mortem] directed by…

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