REVIEW: Emma. [2020]

I have not yet been proved wrong. There have been countless adaptations of Jane Austen‘s Emma. and yet Autumn de Wilde‘s version (from a script by Eleanor Catton) is still able to feel fresh regardless. It might help that the director admits Clueless is her favorite of them because that viewpoint allowed its modern sensibilities to shine through the period aesthetic. The wit is sharp and quick, the production design is impeccable, and the characters are given life with the sort of off-the-cuff expressions today’s youth cannot stop themselves from…

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REVIEW: Clueless [1995]

I totally paused! I’m not sure why we picked Amy Heckerling‘s Clueless five days after it opened (I save my ticket stubs), but I do remember enjoying it. Not in spite of assumptions either—unless we went because it was the only PG-13 film out (I became a teenage six months earlier). Maybe my love of cinema as more than superficially reductive genres with targeted demographics existed even then since that two-week span also included Apollo 13 and Nine Months. And because I wouldn’t have known about Jane Austen or Heckerling’s…

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