REVIEW: Kingsman: The Golden Circle [2017]

“There’s no room for emotion in this scenario” When Kingsman: The Secret Service debuted, comparisons to creator Mark Millar‘s other comic book to cinematic adaptation Kick-Ass were obvious. How the latter spun the superhero template, the former spun stylish James Bond-type spy actioners. It was all high-concept insanity with a kid from the wrong side […]

TIFF17 REVIEW: On Chesil Beach [2018]

“I wasn’t my family. I was me.” It’s 1962. Florence Ponting (Saoirse Ronan) and Edward Mayhew (Billy Howle) have just been married. She’s from a wealthy family and he a provincial one; her desire to be active in world affairs beyond her status’ ambivalence and his hope to be accepted as an intellectual with the […]

REVIEW: Gosford Park [2001]

“I’m the perfect servant: I have no life” Watching Gosford Park again conjured thoughts about it being quintessential Robert Altman, thoughts I couldn’t conjure in 2001 considering it was my first true experience watching one of his films. It proves the perfect evolutionary end to a way of filmmaking he began over twenty years previous […]

INTERVIEW: Adam Brody, star of Some Girl(s)

Best known as geeky Seth Cohen on “The O.C.”, Adam Brody has become a familiar comedic face in Hollywood over the past decade. With a recent turn in Whit Stillman‘s Damsels in Distress and now this Neil LaBute adaptation from his own play Some Girl(s), however, he’s beginning to branch out towards scripts and filmmakers […]

REVIEW: Some Girl(s) [2013]

“Guys always mean well right before they screw someone over” Often labeled a misogynist misanthrope, Neil LaBute has made a career of writing self-absorbed characters completely ruining the lives of those around them for the fleeting second of giddy happiness resulting from knowing they’re in absolute control. Whether its two men actively seeking to destroy […]

Posterized Propaganda June 2013: The Apocalypse is Nigh With ‘Man of Steel,’ ‘World War Z,’ ‘This is the End’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill […]

REVIEW: War Horse [2011]

“There are big days and there are small days” Thirteen years since Saving Private Ryan and six since his last ‘serious’ work in Munich, Steven Spielberg pulls out all the stops for his newest WWI epic War Horse. Based on the 1982 children’s novel by Michael Morpurgo that was recently adapted into a Tony Award-winning […]

REVIEW: Synecdoche, New York [2008]

“The end is built into the beginning” We all go about our lives creating a world around us. To us, we are the stars of a film; our surroundings are the set; and the people touching our lives supporting players and/or extras. Philip Seymour Hoffman’s Caden Cotard watches as the plays he directs onstage succeed […]

REVIEW: The Proposition [2006]

“Australia … what fresh hell is this?” Late nineteenth century Australia seems to have been quite a hellish place indeed if we are to believe what Nick Cave and John Hillcoat have given us here. From the unflinching, seeming authenticity, the weight of conflicting emotion on the part of each and every human being portrayed, […]