REVIEW: De uskyldige [The Innocents] [2021]

Can I just listen? You’ve seen De uskyldige [The Innocents] before. Whether the telekinetic powers, battle between good and evil, or exploitation of neurodevelopmental disorders like Autism to supply a character a sense of power that contrasts preconceived prejudices, everything Eskil Vogt puts into his script is familiar in some way. What makes it so uniquely different in tone and expectation is therefore the choice to project those tropes onto children. His decision becomes an evolutionary progression forward from Max Landis and Josh Trank‘s Chronicle in that the sort of…

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REVIEW: Thelma [2017]

Jesus Satan. The moment you leave home for college is the moment your parents say, “Have fun, but don’t lose who you are in the process.” It’s a worthwhile sentiment that we often take for granted as an implicit notion that we are who we will remain despite embarking on a journey full of unknown responsibilities, freedoms, and dangers. How can we truly know our identity when we’ve yet to cultivate one on our own? How much of that “who you are” is actually “who we want you to be”…

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FANTASIA16 REVIEW: Shelley [2016]

“But it’s not just about the money” Everything starts so innocently that you’d be hard-pressed to realize Ali Abbasi‘s Shelley is a horror film besides the score’s dread-inducing soundscape rising to a deafening level of static. Sure the setting’s weird with Louise (Ellen Dorrit Petersen) and Kasper (Peter Christoffersen) living in the Danish woods without electricity or running water far-removed from civilization, but the world’s fill of eccentrics. They’re actually quite nice, bringing in a new maid (Cosmina Stratan‘s Romanian single mother Elena) with open arms and warm smiles. It…

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