REVIEW: Avengers: Infinity War [2018]

“He’s never fought me twice” It’s been ten years since we met Tony Stark on the big screen. Ten years of serial storytelling with massive budgets, character crossovers, television offshoots, and Stan Lee cameos that took Hollywood and the box office by storm. Not even steward Kevin Feige could have predicted that type of longevity with twenty films by 2018’s completion, but here he and we are at the culmination of all those carefully laid plans. It’s been an enjoyable journey with origin tales, rights swapping, tonal shifts, and more…

Read More

TIFF17 REVIEW: Kodachrome [2018]

“A hole that can’t be filled” The world doesn’t need another film about an irredeemable artist who forsook his wife and child for his art only to begrudgingly (and fearfully through too many years ravaged by narcissistic cynicism) seek a second chance on his deathbed. We’d accept one if it did something different, though. Maybe the son isn’t guilted into being the “better person.” Maybe the father understands everything he missed and realizes it wasn’t worth dying alone. Just please don’t lean into the cliché by saying the hundreds of…

Read More

REVIEW: Wind River [2017]

“Don’t steer away from the pain” After watching his first two spec scripts find homes with established directors—Denis Villeneuve and David Mackenzie bringing those words to life beautifully in neo-westerns Sicario and Hell or High Water respectively—actor turned screenwriter Taylor Sheridan finally steps behind the camera with his latest Wind River. While not as complex as far as scope goes (locale and action), it definitely retains his penchant for subtle, twisty mysteries that reveal themselves only when absolutely necessary. Sheridan isn’t one to pull the wool over his audience’s eyes…

Read More

REVIEW: Ingrid Goes West [2017]

“What’s your biggest emotional wound?” Many people are going to like Ingrid Goes West because its dark comedy seemingly mocks a culture they’ve wholeheartedly embraced. They’ll laugh because they see the titular lead (Aubrey Plaza‘s Ingrid Thorburn) as an exaggerated version of themselves: glued to social media, but letting it literally control her life. She’s who they could be if they didn’t have the self-control to stop themselves from losing perspective as far as differentiating real life and identity from the fictitious ones cultivated online. So on this shallow, surface…

Read More

REVIEW: Captain America: Civil War [2016]

“Victory at the expense of the innocent is no victory at all” We’ve officially approached the apex of the Marvel Cinematic Universe wherein films cannot be about one single character anymore. The Infinity Wars being just around the corner means that time has been regulated. There’s an endgame as there always has been and the pieces must be put into position now. What made The Avengers so great was that its endgame was merely to put Iron Man (Robert Downey Jr.), Captain America (Chris Evans), Black Widow (Scarlett Johansson), and…

Read More

TIFF15 REVIEW: I Saw the Light [2016]

“Remember: they can kill you, but they can’t eat you” The opening to Marc Abraham‘s I Saw the Light holds a lot of intrigue. Based on Colin Escott‘s biography about hillbilly legend Hank Williams, the start goes from a faux black and white newsreel interview with producer Fred Rose (Bradley Whitford) recounting how one-of-a-kind the singer was to a magically lit performance by Tom Hiddleston as Williams (the actor sings every note and the actors playing his band pluck every string). He’s sitting on a stool with a hazy spotlight…

Read More

REVIEW: Avengers: Age of Ultron [2015]

“It wasn’t a nightmare. It was a legacy.” He may not have been there at the start, but Joss Whedon stewarded the Marvel Cinematic Universe through its make or break stage. It was one thing to give the world high-tech flying fun via a sarcastic playboy, otherworld fantasy come to earth courtesy of a haughty royal, and the ‘aw shucks’ patriotism necessary for a bona fide WWII hero on their own terms. Bringing them together along with even more allies was anything but. Yet Whedon—fearless when it comes to delving…

Read More

REVIEW: Very Good Girls [2014]

“You didn’t want to stay and see what your special prize would be?” Writer/director Naomi Foner wants to tell us about the messiness of life through two eighteen-year old girls during their final summer before college. You’d assume they’d be the ideal candidates to do so too once they simultaneously make a pact to lose their virginity and meet the guy of both their dreams, but Very Good Girls refuses to let the ramifications of that stand on their own. Instead Foner adds parental infidelity, untimely death, sexual harassment, and…

Read More

REVIEW: Godzilla [2014]

“Let them fight” The reason Gareth Edwards‘ rebooted Godzilla proves so effective is that it retains the thematic essence of its 1954 ancestor, Gojira. Still an over-arching metaphor for mankind’s hubris and wont to destroy everything it doesn’t understand out of fear, Dave Callaham, Max Borenstein, and multiple script doctors simply found ways to alter the DNA so it could be relevant for an American demographic rather than Japanese. I’ll be honest: we aren’t a country that enjoys watching foreign lands painted as the victim while we look on with…

Read More

Posterized Propaganda September 2012: White Space Rules the Month

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. When not distracted by the more offbeat, artistically inclined one-sheets for the amazing line-up gracing Toronto screens at TIFF this month, I was surprised to see a few good ones…

Read More

Top Ten Films of 2011: Melancholy with a slice of hope

If anyone tells you 2011 was a bad year for cinema, stop in your tracks, turn around and walk away without ever looking back. They have no idea what they’re talking about. With a wealth of quality films from bonafide auteurs devoid of source material, the sheer amount of original work is astonishing. The trend for remakes will most likely never end, but it’s good to know artists in and out of the Hollywood system are fearlessly treading their own path to make movies exciting again. And by exciting I…

Read More