REVIEW: Avengers: Infinity War [2018]

“He’s never fought me twice” It’s been ten years since we met Tony Stark on the big screen. Ten years of serial storytelling with massive budgets, character crossovers, television offshoots, and Stan Lee cameos that took Hollywood and the box office by storm. Not even steward Kevin Feige could have predicted that type of longevity […]

TIFF17 REVIEW: Kodachrome [2018]

“A hole that can’t be filled” The world doesn’t need another film about an irredeemable artist who forsook his wife and child for his art only to begrudgingly (and fearfully through too many years ravaged by narcissistic cynicism) seek a second chance on his deathbed. We’d accept one if it did something different, though. Maybe […]

REVIEW: Wind River [2017]

“Don’t steer away from the pain” After watching his first two spec scripts find homes with established directors—Denis Villeneuve and David Mackenzie bringing those words to life beautifully in neo-westerns Sicario and Hell or High Water respectively—actor turned screenwriter Taylor Sheridan finally steps behind the camera with his latest Wind River. While not as complex […]

REVIEW: Ingrid Goes West [2017]

“What’s your biggest emotional wound?” Many people are going to like Ingrid Goes West because its dark comedy seemingly mocks a culture they’ve wholeheartedly embraced. They’ll laugh because they see the titular lead (Aubrey Plaza‘s Ingrid Thorburn) as an exaggerated version of themselves: glued to social media, but letting it literally control her life. She’s […]

REVIEW: Captain America: Civil War [2016]

“Victory at the expense of the innocent is no victory at all” We’ve officially approached the apex of the Marvel Cinematic Universe wherein films cannot be about one single character anymore. The Infinity Wars being just around the corner means that time has been regulated. There’s an endgame as there always has been and the […]

TIFF15 REVIEW: I Saw the Light [2016]

“Remember: they can kill you, but they can’t eat you” The opening to Marc Abraham‘s I Saw the Light holds a lot of intrigue. Based on Colin Escott‘s biography about hillbilly legend Hank Williams, the start goes from a faux black and white newsreel interview with producer Fred Rose (Bradley Whitford) recounting how one-of-a-kind the […]

REVIEW: Avengers: Age of Ultron [2015]

“It wasn’t a nightmare. It was a legacy.” He may not have been there at the start, but Joss Whedon stewarded the Marvel Cinematic Universe through its make or break stage. It was one thing to give the world high-tech flying fun via a sarcastic playboy, otherworld fantasy come to earth courtesy of a haughty […]

REVIEW: Very Good Girls [2014]

“You didn’t want to stay and see what your special prize would be?” Writer/director Naomi Foner wants to tell us about the messiness of life through two eighteen-year old girls during their final summer before college. You’d assume they’d be the ideal candidates to do so too once they simultaneously make a pact to lose […]

REVIEW: Godzilla [2014]

“Let them fight” The reason Gareth Edwards‘ rebooted Godzilla proves so effective is that it retains the thematic essence of its 1954 ancestor, Gojira. Still an over-arching metaphor for mankind’s hubris and wont to destroy everything it doesn’t understand out of fear, Dave Callaham, Max Borenstein, and multiple script doctors simply found ways to alter […]

Posterized Propaganda September 2012: White Space Rules the Month

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill […]

Top Ten Films of 2011: Melancholy with a slice of hope

If anyone tells you 2011 was a bad year for cinema, stop in your tracks, turn around and walk away without ever looking back. They have no idea what they’re talking about. With a wealth of quality films from bonafide auteurs devoid of source material, the sheer amount of original work is astonishing. The trend […]