REVIEW: Old [2021]

Stop wishing away this moment. The first mention I heard about M. Night Shyamalan adapting Pierre-Oscar Lévy and Frederick Peeters‘ French graphic novel Sandcastle was a tweet that more or less stated how he knew he had to try turning it into a film the moment he put it down. It’s not hard to imagine why since the book is almost tailor-made for the Shyamalan treatment with its mysteriously secluded locale; ensemble cast mired in a tense, supernatural scenario seemingly outside of their control; and a science fiction writer walking…

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REVIEW: Babyteeth [2020]

I’m not ready to be functional. No matter how prepared we think we are to confront our own mortality, we aren’t even close. This goes for those lucky enough to spend close to a century on Earth, but especially for those who aren’t. And with our own impending mortality comes that of loved ones around us. How do we cope with knowing there’s nothing to do but wait? How do we numb the pain we feel as bystanders in order to help the dying deal with theirs? Ignoring it makes…

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REVIEW: Little Women [2019]

Fight to the end and be loud. Despite letting its sordid content embarrass her to the point of pretending to be a writer friend’s messenger, Jo March (Saoirse Ronan) can’t hide the excitement of earning twenty dollars her family desperately needs for a story she composed. With one sister married to a husband of modest means (Emma Watson‘s Meg), another off in Europe with a wealthy suitor yet to propose (Florence Pugh‘s Amy), and a third sick in bed with fever (Eliza Scanlen‘s Beth), her New York City efforts to…

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