REVIEW: The Voices [2015]

“I know karate” Don’t let the wide-eyed giddiness of Ryan Reynolds‘ Jerry Hickfang fool you. There’s darkness inside him that simply hasn’t yet been coaxed out into the open. It may take a little while to see it in full force so you can truly comprehend what is going on with the Edward Scissorhands-esque bright colors and smiling faces version of warped small town suburbia, but it will be an eye-opening revelation when it does. What this means too is that you need to try and not let Reynolds’ broad…

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REVIEW: Dark Shadows [2012]

“You’ll have to imagine us on a better day” At present, the Tim Burton discussion can be answered in two ways. One: I’ve become too old and jaded to ‘get’ the farcical nature of the auteur’s darkly comic worlds anymore. The satiric tongue-in-cheek tonality he so brilliantly cultivated in grotesque-lite universes either doesn’t have the same effect on me that it did in my youth or just isn’t as good. In that vein comes number Two: Burton has lost a step and now languishes in a perpetual self-parody desperately trying…

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REVIEW: Alice in Wonderland [2010]

“Off with your head!” With a knack for creating imaginative worlds that can be both dark and colorful simultaneously, director Tim Burton seems like a natural fit to adapt the Wonderland of Lewis Carroll’s novels. However, for every inventive Big Fish or Edward Scissorhands come the atrocious re-envisionings of Planet of the Apes and Charlie and the Chocolate Factory. So, let’s just say I was scared going into Alice in Wonderland because, while the setting and art direction seemed perfect, I couldn’t help remember how bad his work from pre-existing…

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REVIEW: Sweeney Todd: The Demon Barber of Fleet Street [2007]

“May I have your attention, puh-lease!” Stephen Sondheim’s musical Sweeney Todd: The Demon Barber of Fleet Street is not your run-of-the-mill Broadway spectacle. This thing is dark, gory, and bleak to the end with little in the way of joy and hope seeping through. I had seen the staged production featuring George Hearn and Angela Lansbury a couple years back, so I was familiar with the story before sitting down to experience Tim Burton’s vision. I guess by knowing Sondheim’s other musical Into the Woods, he is accustomed to darker,…

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REVIEW: Waitress [2007]

“I’m happy enough” I’m not sure whether my wanting to see Waitress was due to its off-kilter humor, shown via its trailer, or because of the horrible tragedy surrounding writer/director/supporting actress Adrienne Shelly. Her murder definitely overshadows the dreamlike comedy she has left behind as her final foray in Hollywood. This is a tale of a poor girl dragging through life, desperately looking for a way out. As far as style goes, I can only think of Edward Scissorhands as having the same hyper-real environment filled with quirky characters and…

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REVIEW: Little Miss Sunshine [2006]

“A little sweet sweetness” Keeping up with the recent buzz-worthy films coming out of Sundance the past couple years, Little Miss Sunshine is a gem of a movie. After loving crowd favorites Primer (2004) and Hustle and Flow (2005), I wasn’t quite sure if the hat trick would be made. Sunshine seemed to have the cast, and direction (the debut of husband/wife team Valerie Faris and Jonathan Dayton, who have helmed some of my favorite music videos including the Smashing Pumpkins’ Tonight, Tonight and the Red Hot Chili Peppers’ Otherside),…

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