REVIEW: The Neon Demon [2016]

“Are you food or are you sex” Fame: all that’s glittered and gold, the intrinsic “it” quality we’d kill for but never do. That aura with an expiration date; beauty, confidence, radiance, and whatever other label outsiders use to transform you into a commodity to be bought, sold, and exploited within the tiny window before […]

TIFF14 REVIEW: Nightcrawler [2014]

“If you want to win the lottery you have to have the money to buy a ticket” There are some huge ebbs and flows in Dan Gilroy‘s Nightcrawler. At times I loved it, others I felt bad for laughing, and some instances made me wonder what exactly it was I was watching. In the end, […]

Posterized Propaganda April 2014: ‘Captain America: Winter Soldier’, ‘Under the Skin’, ‘Transcendence’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill […]

REVIEW: Down and Dangerous [2014]

“Who says I’m not having fun?” If you’re familiar with writer/director Zak Forsman’s work you’ll know that it was only a matter of time before he branched out from subtle character pieces to the action genre. Whether the stoic performances, attractive compositions, or pulsing beats by composer Deklun, Forsman and his team at The Sabi […]

REVIEW: Only God Forgives [2013]

“No matter what happens, keep your eyes closed” I’ve never seen a film by Alejandro Jodorowsky, but it doesn’t take a long glimpse into the auteur’s internet biographies to understand why Nicolas Winding Refn dedicated his Only God Forgives to the legend. Descriptions are riddled with labels such as “avant-garde”, “violently surreal”, “mystical”, and “religiously […]

Top Ten Films of 2011: Melancholy with a slice of hope

If anyone tells you 2011 was a bad year for cinema, stop in your tracks, turn around and walk away without ever looking back. They have no idea what they’re talking about. With a wealth of quality films from bonafide auteurs devoid of source material, the sheer amount of original work is astonishing. The trend […]

Picking Winners at the 84th Annual Academy Awards

For the next week and a half, Spree contributor William C. Altreuter, our online film reviewer Jared Mobarak, and me will share our thoughts on who will take home the Oscars. Let’s kick things off with … Best Supporting Actress. —C. S. BEST SUPPORTING ACTRESS: Bérénice Bejo – The Artist as Peppy Miller Jessica Chastain – […]

Posterized Propaganda January 2012: The Top 10 Movie Posters of 2011

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill […]

REVIEW: The Ides of March [2011]

“My name is Molly” To someone with limited interest and knowledge in politics like me, it seems an intriguing choice for a self-described political liberal who backed Barack Obama on his presidential campaign like George Clooney to tackle the subject matter of Beau Willimon’s play Farragut North. Based in part on the 2004 Democratic primary […]

REVIEW: Drive [2011]

“There are no good sharks?” Part-time stuntman, part-time mechanic, part-time wheelman, and full-time brood—this is Ryan Gosling‘s Driver. He’s a man of few words with determination stamped on his face and a code of morals that exist inside a very murky gray area blurring the line between right and wrong when loyalty comes into play. […]

Posterized Propaganda September 2011: Misfires countered by fearlessness

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact that impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to […]