REVIEW: Stratton [2017]

I’m thinking that the only two people in the universe we can trust are you and me. It must have been a tough blow to see the newly minted Man of Steel bow out of a project that potentially had franchise capabilities five days before shooting was to commence, but that’s exactly what happened when Henry Cavill left Stratton over “creative differences.” I have to give him credit for doing so, though, since interviews circa late 2014 have him sounding pretty excited about the prospects of bringing to life a…

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REVIEW: Warcraft [2016]

“From light comes darkness and from darkness light” As of a year ago I didn’t know what MMO meant (massively multiplayer online) and only an hour ago learned “World of Warcraft” didn’t always exist as one. Warcraft has actually been around since 1994 as a real-time strategy game without avatars and networking. There was a storyline before sprawling into the ever-expanding phenomenon it’s become, a beginning to this war between humans and orcs that continues to wage decades later. Duncan Jones‘ film is therefore an adaptation of this original history…

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Posterized Propaganda October 2014: ‘Gone Girl,’ ‘Nightcrawler,’ ‘Whiplash,’ and More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. Say goodbye to summer. Tent pole season is over and the critical darlings have begun to pop up on the Fandango queue. October is still a weird month, however, since…

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REVIEW: Agent Carter [2013]

“Learn to count” If Item 47 supplying us an expanded look at alien tech from The Avengers was the first step in making Marvel’s One-Shots a legitimate canonical extension, Agent Carter cements them as requisite viewing. There was no guarantee the short would lead to an eight-episode pick-up on ABC—heck, there wasn’t even a guarantee “Agents of S.H.I.E.L.D.” would earn a second season—when it was created, but we all know now that it has. Not only is the titular character (played by Hayley Atwell) a bad ass excelling beyond simply…

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Posterized Propaganda March 2014: ‘Noah’, ‘Nymphomaniac,’ ‘The Grand Budapest Hotel,’ ‘Enemy’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. Has summer started early? Big blockbusters like Divergent, Noah, 300: Rise of an Empire, and Need for Speed are releasing in March—I guess they must therefore be the studios’ lesser…

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REVIEW: The Devil’s Double [2011]

“What happens if I say no?” An intriguing subject for sure, Lee Tamahori‘s new film takes us inside Saddam Hussein’s reign of terror like never before. Using the life story of Latif Yahia, The Devil’s Double shows the sort of hubris at the heart of this tyrant’s stranglehold over the Iraqi people. Constantly a threat for assassination, the use of fedais (doubles) was a prominent practice in order to remain safe and protect the kingdom. Not to be outdone, however, Hussein’s son Uday found he could have some fun by…

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REVIEW: Captain America: The First Avenger [2011]

“Star-spangled man with a plan” Not having been someone who read comics as a kid, I am definitely in the dark on the inner-workings of the Marvel universe. Everyone has a cursory knowledge of DC’s greats and I’m not quite sure why that is. Batman and Superman are household names, their powers and origin tales part of pop culture lexicon, so why is it I knew nothing about Stan Lee’s equivalent to man’s favorite Kryptonian? Why do we intrinsically know an alien savior, but not the red-blooded American donning our…

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Posterized Propaganda July 2011: ‘Pooh’ and Friends Trump ‘Monte Carlo’

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact that impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. Photoshop: the Bad, the Really Bad, and Some Success You see it a lot these days—the dreaded floating head Photoshop hack job. July 2011 is no stranger to the…

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TIFF09 REVIEW: An Education [2009]

“They’re making themselves a friend” When I think Nick Hornby, films such as High Fidelity and About a Boy come to mind. It’s obvious of course, being that he wrote the novels for which both were based, but I mention it because I really didn’t know what to expect from An Education, scripted by he and directed by Lone Scherfig. The subject matter seemed so much darker and serious than his previous work; until finding out it was based on a memoir during the opening credits, I really was perplexed.…

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REVIEW: The Escapist [2008]

“Too old to die young” While The Escapist may not have an all-star A-list cast, it has a pretty recognizable international one. When I saw the names attached to this thing, I couldn’t believe that it had trouble finding distribution. Luckily IFC Films stepped up to the plate and will add it to their VOD schedule to get some exposure for its DVD release. Much like Unknown from a few years back, Rupert Wyatt’s film is a hidden gem of intrigue and suspense. A disjointed narrative tells the story of…

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REVIEW: The Duchess [2008]

“Freedom in moderation” Keira Knightley’s period drama for the year 2008 is a well-crafted one, but lacking in anything new and exciting. The Duchess is your run-of-the-mill tale of unrequited love amidst the artifice of a marriage of utility. It all begins with a gathering of teenagers, playing their games in the yard while the adults talk inside, planning the futures for their children behind closed doors. When Georgiana’s mother tells her how she will be the next Duchess of Devonshire, you are almost shocked at her reaction. So happy…

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