REVIEW: Videodrome [1983]

“Better on TV than on the streets” To watch David Cronenberg‘s Videodrome today is to acknowledge his clairvoyance as far as technology’s capacity to control via (mis)information. He filmed this body horror classic about subliminal messaging in mass consumption in 1983: years before the political firestorm in 1992 revolving around ubiquitous violence in videogames via […]

REVIEW: Maps to the Stars [2014]

“… Liberty” There are many versions of Hollywood I would never wish to live within—including the real one—but it appears those crafted by Bruce Wagner might be the most nightmarishly hedonistic, vile, and depressingly pathetic. A man who grew up in Los Angeles via Wisconsin and probably experienced many of the selfish acts of depravity […]

REVIEW: 뫼비우스 [Moebiuseu] [Moebius] [2013]

“Whole body is genital” If the whole “you’ll go blind” line doesn’t detract your kid from masturbating, controversial writer/director Ki-duk Kim has the solution. Just because the son in뫼비우스 [Moebiuseu] [Moebius] attracts the ire of his mother specifically due to his coveting the woman his father is having an affair with doesn’t lessen its impact. […]

Toronto International Film Festival 2014 Preview

We may have two consistent film festivals here in town showcasing small releases and restored classics, but you might not realize how close we are to one of the biggest in the world. Most “in the know” will center on five events when thinking about the best of the best film festivals and while Venice, […]

REVIEW: Dead Ringers [1988]

“Don’t make me dream that again” The last line of David Cronenberg‘s Dead Ringers is on the nose and yet still disturbingly surreal. Jeremy Irons (playing twin gynecologists Elliot and Beverly Mantle) phones his lover Claire (Geneviève Bujold) only to hear the telling reply, “Who is this?” While we too find ourselves uncertain which is […]

REVIEW: Antiviral [2012]

“Celebrities aren’t human. They’re group hallucinations.” Like father, like son—Brandon Cronenberg has been paying attention. Even though a credit as Special Effects Technician on eXistenZ is the only one of David’s films he’s attached to in a professional capacity, it would be hard to believe he wasn’t at least on set for a few others. […]

HOTDOCS13 REVIEW: Tales From the Organ Trade [2013]

“In some countries you can pick up a kidney for the price of a laptop” With a name like Tales from the Organ Trade and its interesting casting selection of body horror maestro David Cronenberg as its narrator, I’m not sure one could blame me for expecting gruesome, unsanitary, back alley surgeons assisted by frightfully […]

REVIEW: Holy Motors [2012]

“Too bad. I miss forests.” Is it science fiction, fantasy, drama, comedy, all or none of the above? As spoken by a character from within, beauty exists in the eye of the beholder and so does the importance of Leos Carax‘s Holy Motors. However, rather than positing the question of what happens when there no […]

REVIEW: Cosmopolis [2012]

“My prostate is asymmetrical” Thematically more like what David Cronenberg created before his last three films; I’m not quite sure what to think about Cosmopolis. Faithfully adapted from a novel by Don DeLillo, its look inside the day of billionaire magnate Eric Packer (Robert Pattinson) skews closest to the hellish descents behind the director’s eXistenZ […]

Posterized Propaganda August 2012: A Summer Lull

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill […]

REVIEW: Barney’s Version [2010]

“Montreal 2, Boston 1” It begins with an aged detective, a man unafraid of police brutality, and his newly released novel about the circumstantial evidence surrounding the disappearance of a young man at the summer home of a friend. Detective O’Hearne (Mark Addy) has never let go of the assumption that Barney Panofsky (Paul Giamatti) […]