REVIEW: Zeroville [2019]

Your head precedes you. An autistic architecture student at a seminary in Pennsylvania watches his first ever film (A Place in the Sun) and has an experience akin to hearing the voice of God. This new world is opened to Jerome “Vikar” Isaac and he decides he needs to be a part of it. So he travels to Hollywood with the model of a church he constructed under his arm, arriving in this wonderland of magic twenty years too late. The Hollywood of 1970 simply isn’t the same one that…

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REVIEW: Arizona [2018]

Nothing but possibility. You should know going in that Jonathan Watson‘s Arizona is a comedy. It’s billed that way. Former “30 Rock” and current “Brooklyn Nine-Nine” writer Luke Del Tredici is responsible for the script. And Danny McBride has had his face plastered on all the marketing materials. But you wouldn’t be wrong for thinking otherwise at the very start considering the lead role is played by Rosemarie DeWitt. She’s a real estate agent named Cassie who’s shown spinning her sales speak with a couple just as the housing bubble…

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REVIEW: Alien: Covenant [2017]

“One wrong note eventually ruins the entire symphony” I was in the minority with Prometheus in 2012, declaring its brilliantly nuanced story diving beneath its genre conventions as the best entry in the Alien franchise since the original. It was spirituality-tinged science fiction whereas Ridley Scott‘s 1979 classic was character-based horror with palpable emotion-laden terror. Both were disparate worlds that fit together if not reliant upon each other. Scott found this new success in large part to screenwriter Damon Lindelof and the decision to scale back Alien references so that…

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REVIEW: Hell and Back [2015]

“If you’re a priest or a nun, that’s funny. You wasted your life.” You may have noticed posters for the R-rated, stop-motion animated comedy Hell and Back throughout the summer and fall seasons in anticipation of its October release only to find it didn’t come to a theater near you. It was released and took in about $150,000 on the few screens it graced to the chagrin of a ton of hopeful Nick Swardson fans complaining on the movie’s Facebook page about their inability to watch. So January 5th brings…

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REVIEW: This is the End [2013]

“Is the power of Christ compelling me? Is that what’s happening?” Way back in 2007 there was a YouTube trailer for a short film entitled Jay and Seth Versus the Apocalypse that whetted fans’ appetites only to never seen by the public. Time went on, nothing appeared to be happening—which wasn’t necessarily a horrible thing since the trailer wasn’t all that funny—and eventually word came down it was being retooled by the titular Seth Rogen and writing partner Evan Goldberg into their directorial debut This is the End. Now six…

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Posterized Propaganda June 2013: The Apocalypse is Nigh With ‘Man of Steel,’ ‘World War Z,’ ‘This is the End’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. Summer continues chugging along with the America and/or Earth threatened by destruction at every turn. Whether comic book adaptations, zombie wars, terrorist assaults or a giant pit opening up to…

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REVIEW: Underworld: Awakening [2012]

“My heart isn’t cold, it’s broken” I like dark, sci-fi actioners and I’m unafraid to admit it. I’ve seen every Underworld and Resident Evil in the theatre and anticipate continuing that trend until their respective series die. My interest in each comes from different motivations, though. No matter how cheesy and overly stylish the vampire versus lycan war gets, it retains its intriguing mythology as a backbone to the carnage. On the flip side, Alice’s adventures against Umbrella ratchet up the aggression for non-stop fight choreography deflecting from the fact…

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REVIEW: Your Highness [2011]

“I want you to be gay with me and father” I knew Your Highness was going to be bad, but I never anticipated just how much. I thought that no matter how horrible the trailers were, Danny McBride and James Franco re-teaming would make things tolerable. They helped support Seth Rogen’s stoner action flick, Pineapple Express, Franco’s complete absurdity and McBride’s acquired taste enhancing the writer’s formula we have come to love. While Rogen and partner Evan Goldberg have discovered mainstream appeal, though, McBride and co-scribe Ben Best are still…

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Posterized Propaganda August 2011: Summer Excess vs. Indie Class

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact that impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. It’s sad to say, but August 2011 is a dismal month for quality poster design. I guess this shouldn’t be too big a surprise since it’s the tail end…

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REVIEW: 30 Minutes or Less [2011]

“You? An adult? You had a Lunchables for dinner last night!” Hot off the success of his feature length debut Zombieland, director Ruben Fleischer reunites with Jesse Eisenberg to bring Michael Diliberti’s screenplay to life. Entitled 30 Minutes or Less, it can be easily deduced that Eisenberg’s Nick is a pizza delivery boy. Speeding through stop signs, red lights, and utilizing his parking brake for screeching 180s in order to satisfy customers and not have his paycheck docked for freebies, this is not the neurotic, socially challenged character we’re used…

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REVIEW: Due Date [2010]

“What are you, a girl or something?” In a coincidental stroke of fate, following my own cross country trip from Buffalo to Denver amidst a constant barrage of quotes from Planes, Trains & Automobiles on behalf of my co-pilot cousin, I arrived back home on the east coast in time for a screening of Todd Phillips’s follow-up to The Hangover, Due Date. Trying its best to recreate the magic of Steve Martin and John Candy’s memorable Thanksgiving jaunt, this new film pits a father-to-be against the clock and the mileage…

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