REVIEW: Bad Times at the El Royale [2018]

“Why even have a bell?” Writer/director Drew Goddard‘s affinity for voyeuristic set-ups continues with Bad Times at the El Royale‘s “pervert hotel” aesthetic. His first feature-length screenplay (Cloverfield) was found footage, his directorial debut (The Cabin in the Woods) had a two-way mirror as well as a science fiction surveillance conceit, and now we get […]

REVIEW: Fifty Shades Darker [2017]

“Nothing lasts” Considering the Fifty Shades of Grey series is Twilight fan-fiction barely polished from its sordid internet origins, it shouldn’t be surprising that a villain besides dominant millionaire Christian Grey’s (Jamie Dornan) sadist side would arrive. Child molester Elena Lincoln (Kim Basinger) was alluded to in the first film, but not seen. So we […]

REVIEW: A Bigger Splash [2015]

“Try not to frighten the horses” More than loosely based upon Alain Page‘s 1969 French script La Piscine, Luca Guadagnino finally follows up his magnificent I Am Love with A Bigger Splash, his first narrative fiction since. It tells the story of a rockstar legend (Tilda Swinton‘s Marianne Lane channeling Ziggy Stardust) and her long-term […]

REVIEW: Black Mass [2015]

“If nobody sees it, it didn’t happen” The story of Southie crime boss James “Whitey” Bulger (Johnny Depp) is perfectly suited for a sprawling, character-driven cinematic adaptation because of the corruption level involved. Based on the book by Boston Globe reporters Dick Lehr and Gerard O’Neill, Black Mass screenwriters Mark Mallouk and Jez Butterworth take […]

REVIEW: Fifty Shades of Grey [2015]

“I enjoy various physical pursuits” Author E.L. James should be ecstatic that the crazy fervor surrounding her trilogy of BD/SM propelled it towards a movie deal because now artists more qualified to bring her kinkiness to life can get their hands on it. I’m not saying she’s a bad writer—I’ll let the myriad commenters on […]

REVIEW: The Five-Year Engagement [2012]

“The Taxman waits for no one” Writer/actor Jason Segel and writer/director Nicholas Stoller have been working with each other for years now, both cementing their membership in Judd Apatow‘s comedic entourage on “Undeclared”. It was their first cinematic collaboration—Forgetting Sarah Marshall—however, that put them on the map as a creative team worth keeping in the […]