Posterized Propaganda March 2014: ‘Noah’, ‘Nymphomaniac,’ ‘The Grand Budapest Hotel,’ ‘Enemy’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. Has summer started early? Big blockbusters like Divergent, Noah, 300: Rise of an Empire, and Need for Speed are releasing in March—I guess they must therefore be the studios’ lesser…

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REVIEW: Pacific Rim [2013]

“She’s starting to chase the rabbit” After watching two spec scripts get sold and ultimately fall through, Clash of the Titans scribe Travis Beacham finally breaks into Hollywood with an original vision in Pacific Rim. A futuristic look at our world on the cusp of annihilation by the claws of an alien species entering our realm via a wormhole over an underwater rift in our Earth’s crust, his tale is as close to a live action anime as we’re likely to get—complete with kaiju and mecha warriors fighting to rule…

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REVIEW: Wrath of the Titans [2012]

“I will never leave my son” There’s nothing like a little patricide to bring two estranged brothers like Zeus (Liam Neeson) and Hades (Ralph Fiennes together again. It’s what teamed them up to imprison their father Cronus long ago in the underworld prison Tartarus and it’s what will ultimately make them choose sides again while humanity looks on helplessly for a victor. And while Perseus (Sam Worthington) wouldn’t have minded killing his own God of a father in Clash of the Titans, it is his half-brother Ares (Édgar Ramírez) who…

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REVIEW: Clash of the Titans [2010]

“They declared war. War on the Gods.” Going from Luc Besson‘s go-to director to becoming a Hollywood action regular, you can’t blame Louis Leterrier for wanting to tackle the big budget remake of Clash of the Titans. With a predecessor remembered more for its Ray Harryhausen creatures than any lasting artistic quality—I still can’t believe its shoddy effects came after Empire Strikes Back—its subject matter actually seemed ripe for a revisioning. So many genre ‘classics’ have garnered a want for new boatloads of cash, why not a film badly in…

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REVIEW: Immortals [2011]

“Witness hell!” With the most recent forays into mythology coming in the form of a boring Troy and misguided Clash of the Titans, seeing the name Tarsem Singh attached to Immortals brought a smile to my face. Originally titled Dawn of War and War of the Gods before settling on its current name, the director sought to deliver a bloody epic in the style of a Renaissance painting—the flowing light of the Gods’ capes and fluid motion of action a real treat. And if you’ve seen his previous work The…

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REVIEW: Clash of the Titans [1981]

“Light has conquered darkness” Would a film like being called charming? How about a fantasy action/adventure? Unfortunately, while watching the 1981 edition of Clash of the Titans, that word is what kept popping into my head. I can’t say the movie was great, it was way too laborious and the ‘please explain to me because I never knew Greek mythology existed’ exposition turned me off. However, I also can’t call it bad because there are multiple instances of enjoyment and craftsmanship, serving only to make me more excited for 2010’s…

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The Most Anticipated Films of 2010

2010 looks to be a very intriguing year for the film world. A lot of big name directors are coming in with new work, hopefully continuing on their winning ways, while others are returning to perhaps erase some recent blunders and get back on track. There are two true sequels on the list, four depending on your definition, (and Harry Potter isn’t one since I’m not quite sure what to think, being only a Part I of a final chapter), a couple television shows getting big screen love, and a…

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